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  • A roughly sketched woman in an elegant dress and hat perchces on in a gold alcove holding a bottle in her right hand and a champagne glass in her left handat head level; the word Champagne is written above in gold

    Design for a champagne poster (c. 1896)

  • Magazine cover with '1896 Noël 1897' at the top of the composition and 'L'illustration' at the bottom and two female figures in the middle

    L'Illustration magazine - cover for Christmas 1896/1897 (1896)

  • The head and shoulders of Sarah Bernhardt wearing lilies in her fair hair and an embroidered tunic, framed by a pale blue halo inscribed with her name and surrounded by golden stars.

    Sarah Bernhardt as La Princesse Lointaine: poster for 'La Plume' magazine (1897)

  • A little boy in his pyjamas and a little girl in a red dress pull at a woman holding 3 cups of steaming hot chocolate. The words 'Chocolat idéal en poudre soluble' sits at the top of the poster, and the bottom of the poster has company details and an image of the chocolate powder in its packaging.

    Poster for 'Chocolat Idéal' (1897)

  • A woman with large poppies and clusters of corn in her hair and a strapless brown dress leans on a ledge holding a pitcher of beer. A hop motif sits above and below the words 'Bières de la Meuse' at the top of the poster. A black and white drawing of the brewery and a seated female figure feature at the bottom of the poster.

    Poster for 'Bières de la Meuse' (1897)

  • A seated woman in a pale strapless dress holds her hands to her chin. She is surrounded by an elaborate pattern of curving stalks of lilac, hydrangea, dianthus and violet with blue sea in a bay surrounded by mountains in the background.

    Poster for 'Monaco - Monte Carlo', P.L.M. railway services (1897)

  • A woman with golden hair wrapped in pale blue fabric and standing in front of an ornate gold and blue mosaic niche holds a small bowl with a spoon above a baby sitting in a crib below. The words 'Nestlé's Food' sit at the top of the poster and 'For Infants' at the bottom.

    Poster for 'Nestlé's Food for Infants' (1897)

  • Three circles with profiles of Queen Victoria at different ages and a blond figure behind with red robes holding a crown to a backdrop of smoking factory chimneys and ship outlines, with the text 'Hommage Respectueux de Nestlé' in a banner at the bottom

    Poster for 'Hommage Respectueux de Nestlé' (the Nestlé Company's tribute to Queen Victoria's 60th Jubilee) (1897)

  • An interior with pictures on the wall, ornate furniture, cut flowers and objets d'art

    Mucha's studio decorated with his collection of objets d'art, Rue du Val de Grâce, Paris (c.1897)

  • A woman seen side-on with irises in her hair and grapes, pears, apples and soft fruits in her arms turns towards the viewer

    Fruit (1897)

  • A woman with lilies in her hair, bare shoulders and a green dress with lace borders holds a large bouquet of flowers

    Flower (1897)

  • A woman with bare shoulders with white lilies in her hair looks out to the left of the frame with a large bouquet of flowers in her arms

    Flower: final study for decorative panel (1897)

  • A girl with a folk headdress and daisies in her hair holds her right hand to her mouth and a panel with a heart encircled by three garlands in her left hand. The words 'Salon des Cent' features at the top of the poster and the exhibition details feature at the bottom

    Poster for 'Salon des Cent Mucha Exhibition June 1897' (1897)

  • Two panels with blond and brunette in profile looking towards each other

    Byzantine Heads (pair) (1897)

  • A brunette in profile looking to the right with ornate tiara and pendants framed by a gold circular motif

    Byzantine Heads: Brunette (1897)

  • A blond woman in profile looking to the left with an ornate tiara and pendants framed by a gold circular motif

    Byzantine Heads: Blonde (1897)

  • A woman with a star in her long chestnut hair and a red strapless dress holds a notebook in her right hand and leans on a camera with her left arm; a young man sits before her; text runs around the top and bottom of the composition

    Société Populaire des Beaux Arts (1897)

  • A horizontal design with an image of a woman with dark hair leaning on a hammer and surrounded by tools and an industrial motif in the top half of the composition and three panels in the bottom half with dates in the middle and superimposed drawings of metal structures on either side

    F. Guillot Pelletier-Orleans Calendar (1897)

  • Front cover of a book with the title 'Ilsée Princess de Tripoli' surrounded by a decorative frieze of lilies against a blue background

    Ilsée, Princesse de Tripoli (1897)

  • A woman with a yellow dress standing against a mythical blue horse figure with feathers against a starry background

    La Plume (1897)

  • A woman with a round face and red flowers and butterflies in her golden hair which falls around her body; she holds a branch with insects to her neck and looks upwards; the title of the magazine sits at the top of the page

    L'Illustré Soleil du Dimanche (1897)

  • Long vertical design with woman draped in flowing garments holding a flower wreath standing in an alcove

    L'Annee Qui Vient (1897)

  • Woman in a white, high-neck dress holding flowers in her right hand and resting her left hand on a bottle which sits on a table; behind her head is a decorative halo

    Poster for 'La Trappistine' (1897)

  • Woman in classical costume framed by a white, brick-patterned halo leaning on a tall terracota vase; title and details at the top and bottom of the composition and the words 'Sarah Bernhardt' around the halo

    Poster for 'La Samaritaine' (1897)

  • Biscuits Lefevre Utile (1897)

  • Salomé (1897)

  • West End Review (1897)

  • A full-length Bernhardt stands wide-eyed and tense against a stylised sunset background, with a bloody dagger in her hands and a female body at her feet. The words "Medée, Théâtre de la Renaissance" feature at the top of the poster in a mosaic-syle frieze and the words "Sarah Bernhardt" run down the right hand side of the poster.

    Poster for 'Médée' (1898)

  • A woman with long, black hair dressed in an orange strapless dress holds a cigarette in her right hand and a packet of Job cigarette papers in her left hand. The smoke wraps around her head. The figure is framed by a circle with the word 'Job' above.

    Poster for 'Job' cigarette paper (1898)

  • A woman with golden hair in an ochre dress with bare shoulders sits on a bicycle against a red background with her chin resting on her left arm supported by an anvil and holding a branch of laurel leaves in her right hand

    Poster for 'Waverley Cycles' (1898)

  • A man with dark hair, a long grey beard and a dark suit sits next to a desk looking out to the right of the camera

    Amilcare Cipriani (1843-1918), Italian revolutionary and socialist, in Mucha's studio, Rue du Val de Grâce, Paris. (c.1898)

  • A bare shouldered red-haired woman in an embroidered white gown turns the pages of a large format book containing decorative designs. She is framed by a halo decorated with pinkflowers.

    Rêverie (1898)

  • A woman with long fair hair and a delicate pale dress holds a flower in her right hand and gazes at her left hand as she perches on a large decorative halo

    The Arts: study for 'Painting' (1898)

  • A bare shouldered woman with long fair hair and a pale blue piece of fabric wrapped around her lower body perches on and gazes through a large decorative halo

    The Arts: study for 'Poetry' (1898)

  • A naked woman with long dark hair touches the back of her neck with her hands as she perches on a large decorative halo

    The Arts: study for 'Music' (1898)

  • A woman with long red hair and a transparent piece of fabric draped over her bare body leans backwards while facing the viewer and is framed by a large decorative halo

    The Arts: study for 'Dance' (1898)

  • Four vertical panels side by side - see individual works for descriptions

    The Arts (series) (1898)

  • A woman with long red hair and a sensuous amber dress holds a red flower in her right and reaches for the flower with her left hand as she perches on a large decorative halo

    The Arts: Painting (1898)

  • A bare shouldered woman with long red hair and white fabric wrapped around her lower body perches on and gazes through a large decorative halo

    The Arts: Poetry (1898)

  • A woman with long dark hair, bare breasts and a flowing white gown touches the back of her neck with her hands as she perches on a large decorative halo

    The Arts: Music (1898)

  • A woman with long red hair and an orange piece of fabric draped over her bare body leans backwards while facing the viewer and is framed by a large decorative halo

    The Arts: Dance (1898)

  • A nude with her hair in a chignon sits on a rock with her left arm resting on her left knee looking at her reflection below

    Nude on a Rock (1898-1899)

  • 4 vertical panels of female figures (see individual works)

    The Flowers (series) (1898)

  • A full length female figure with a white dress and auburn hair decorated with roses is framed by pink, white and yellow roses

    The Flowers: Rose (1898)

  • A full length female figure with fair hair and a near-transparent dress leans her head to her right and closes her eyes; she stands against a backdrop of mauve irises

    The Flowers: Iris (1898)

  • A full-length female figure with dark hair and a shoulderless pink dress stands side-on with her head turned towards the viewer; in her right hand she holds a carnation and she leans her left hand on the roots of a tree behind; pink, white and yellow carnations grow at her feet

    The Flowers: Carnation (1898)

  • A full-length female figure with long blond hair and a shoulderless white dress looks upwards; she wears lilies in her hair and is surrouded by pink and white lilies

    The Flowers: Lily (1898)

  • Two women with pale robes, one with flowers in her hair and the other with an ornate headband, sit either side of a bottle of Bénédictine liquor; the bottle sits on a pedestal and is framed by a decorative halo; the text 'Bénédictine de l'Abbaye de Fécamp' sits at the top of the poster

    Bénédictine (1898)

  • A woman in a red cloak with a stiff black collar wrapped in barbed wire sits awkwardly; a smaller scale figure of a man raising his hat stands on her lap and points towards the female figure

    Au Quartier Latin (1898)

  • A landscape format book seen from the side on with a woman surrounded by blue stylised feathers with poppies in her hair and a red Bohemian style castle on a rock behind; decorative vertical border on the left side; title in the lower third of the cover

    Letem Českým Světem (1898)

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