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  • Drawing of Christ on the cross with the initials I.N.R.L. at the top of the crucifix, a skull and crossbones at the bottom, and nuns and gravestones in the distance

    Crucifixion (c.1868)

  • Head and shoulders of a girl seen in profile with dark hair in a plait and a mauve pleated and high-collared dress sitting against a blue background

    Portrait of Mucha's Sister, Angela (c.1880)

  • Front cover of a magazine with stylised title 'Fantaz' followed by hand-written text and a pen drawing of a classical narrative scene

    Design for the cover of the magazine 'Fantaz' (1882)

  • Decorative form with a couple against a moonlit landscape at the top, text in the middle, and approximately two dozen signatures at the bottom with a motif composed of different musical instruments

    Diploma of Ivančice: Mock diploma honouring a local celebrity, with illustration of the first line of 'May', a poem by Karel Hynek Mácha (1882)

  • Head and shoulders of a fair-haired girl dressed in a dark, high-collared dress sitting against a deep red background

    Portrait of Mucha's Sister, Anna (c.1885)

  • A male nude standing in contrapposto with his right hand on his hip

    Study of a Male Nude (1885-1887)

  • 'Krokodil' in stylised font arching over a scene with a crocodile being prodded by men in top hats and smart atire with a boy and girl looking on

    Design for the heading of the cover of the magazine 'Krokodil' (1885)

  • A smiling Mašek leaning against a wooden structure in the street

    Karel Václav Mašek, Czech painter as a student at the Munich Academy of Art (c.1886)

  • A devil figure peers around a column with an aged figure behind

    The Devil and Mr Twardowsky: study for an illustration for 'The Tale of Pan Twardowsky' (a variation of 'Faust') (c.1887-1888)

  • Bearded man with a pipe seated on a red armchair in front of a table with a woman in red to his left and a window to her left

    Self-portrait, sketching in his apartment, Paris (late 1880s)

  • A vulture sits next to a female corpse slumped on a rock with Pharaohs carved in the rock beyond

    In the Desert: Study for an illustration for the Světozor magazine (1889)

  • Three storks, one with its wings spread, under an arcade

    ‘At the sight of the two storks the owl rose.’ Study for an illustration for Contes de Grand-mères (1891)

  • Boy with blond, curly shoulder-length hair, with an ornate red and blue bodice with ruffled sleeves holding his left hand on his hop with one foot forwards

    Page's Costume: study for an illustration for 'Le Costume au Théâtre' (1890)

  • Head and torso self-portrait of Mucha dressed in a traditional Czech shirt looking out to the right of the camera

    Self-portrait in a Russian shirt 'rubashka', in the studio, Rue de la Grande Chaumière, Paris (Early 1890s)

  • Mucha seated in his studio with ornate fabric in the background, art objects to his right, and piles of books in the foreground

    Self-portrait in his studio, Rue de la Grande Chaumière, Paris (1892)

  • Mucha stands next to Gauguin who wears a decorated hat, Marold who is dressed in a stripey suit, and Anna who wears a Breton headdress

    Mucha with his friends in the studio, Rue de la Grande Chaumière, Paris (c.1893-1894)

  • Gauguin stands side-on next to a window holding a hat in his left hand and looking down at the floor

    Paul Gauguin posing in Mucha's studio, Rue de la Grande Chaumière, Paris (1893)

  • Seated model in a velvet smoking jacket holding a pipe to his mouth and reaching out with his right arm to a table behind him

    Model posing with a pipe for a book illustration in Mucha's studio, Rue de la Grande Chaumière, Paris. (c.1893-1896)

  • Gauguin sitting at a harmonium wearing only a shirt and jacket, turning towards the camera

    Paul Gauguin playing Mucha's harmonium in his studio, Rue de la Grande Chaumière, Paris (c.1893-1994)

  • A full-length Bernhardt stands in a Byzantine gown and a floral headpiece holding a palm leaf. Her face is framed with a mosaic style halo featuring her name. The words 'Gismonda' feature at the top of the poster, and 'Théâtre de la Renaissance' at the bottom.

    Poster for ’Gismonda’ (1894)

  • Paris street (seen from above) lined with onlookers dressed in black and a procession of horses

    Funeral procession of French President, Marie François Sadi Carnot (1837-1894) (1894)

  • A procession of men through a Paris street (seen from above) with deep shadows cast from top right to bottom left

    Funeral procession of French President, Marie François Sadi Carnot (1837-1894) (1894)

  • A horizontal design in black and white with a bare-shouldered female model holding up a light against a stylised background above the name of the theatre

    Théâtre de la Renaissance: design for poster advertising Sarah Bernhardt's theatre (c.1895)

  • An image of mythological figures standing in a clearing in the woods with a decorative border and a stylised black and gold frieze at the top with classical figures working a printing press

    Judgement of Paris (calendar for Vieillemard printing company) (1895)

  • Diadem for 'La princesse lointaine' (1895)

  • A society party scene amid decorative elements with the title of the play at to the top right of the centre; in the top left a group of children gather around a puppet show; in the top right a blond female figure slumps in front of a dark tree-lined horizon;

    Amants (1895)

  • Mucha sitting on the left side of a stepladder in front of a large pencil drawing smoking a cigar and looking out to the left

    Self-portrait on stepladder, working on the cartoon of the poster 'Imprimerie Cassan Fils' (1896) (1896)

  • A full-length Bernhardt leans against a balustrade in a white gown with a camellia in her hair and a camellia plant at her feet. Her face is in profile and framed with silver stars against a mauve background. The words 'La Dame aux Camélias' and 'Sarah Bernhardt' feature at the top of the poster, and 'Théâtre de la Renaissance' at the bottom.

    Poster for 'La Dame aux Camélias' (1896)

  • Rough sketch of front cover with decorative floral border on left and the text 'La Dame aux Camélias' above a woman clasping her hands together under her chin

    La Dame aux Camélias: designs for cover and interior of special programme (1896)

  • A full-length Bernhardt leans against a curved niche decorated with a foliage pattern. She has short dark hair and wears a black tunic, black stockings and a long black cape, with a dagger hanging from her belt and a book in her hand. A green dragon climbs from behind the niche. The words 'Lorenzaccio, Pièce en V actes et un épilogue d'Alfred de Musset, Adaptation de M. Armand d'Artois' feature at the top of the poster, and 'Théâtre de la Renaissance' at the bottom.

    Poster for 'Lorenzaccio' (1896)

  • Head and shoulders of Sarah Bernhardt with short cropped hair and a ruffled collar holding her right hand to her mouth

    Head of Sarah Bernhardt: Study for 'Lorenzaccio' (1896)

  • A full-length sketch of Bernhardt turning to her right dressed in a sinuous gown and a voluminous over-gown made from a different fabric

    Sarah Bernhardt: study of her full-standing figure (c.1896)

  • Model in a dark suit holding a top hat and leaning forward over an armchair with his right hand held out in front of him

    Model posing with a silk hat in Mucha's studio, Rue du Val de Grâce, Paris (c.1896)

  • Mucha dressed in formal clothes holding a top hat and leaning forward with his left hand on a chair behind him

    Self-portrait - Mucha posing with a silk hat in the studio, Rue du Val de Grâce, Paris (c.1896)

  • Nude female figure with long red hair sits holding a print with a pile of prints at her feet with a male figure behind working a printing press and the text 'Cassan Fils/fondée en 1851/Impressions de luxe artistiques et commerciales/Armier du Charteru/Toulouse'

    Poster for 'Imprimerie Cassan Fils' (1896)

  • Two women and a man dressed in elegent evening wear sit drinking champagne with figures dancing in the background. The words 'Biscuits Champagne Lefèvre-Utile' feature at the bottom of the poster alongside a box of LU biscuits.

    Poster for 'Biscuits Champagne Lefèvre-Utile' (1896)

  • A naked woman with long golden hair, partially covered with a white cloth, holds a paintbrush and a quill. Exhibition details at bottom.

    Poster for 'Salon des Cent 20th Exhibition' (1896)

  • A woman with long, golden hair and closed eyes smokes a cigarette. The smoke wraps around her head. The word 'Job' sits behind her and the poster is framed with a zig zag mosaic border in gold and dark blue.

    Poster for 'Job' cigarette paper (1896)

  • Women with dark hair and a dark high-necked dress with a white ruffle sitting in front of a Japanese screen decorated with birds and plants

    Berthe de Lalande, Mucha's mistress, in Mucha's studio, Rue du Val de Grâce, Paris (c.1896-1997)

  • Four vertical panels side by side - see individual works for descriptions

    The Seasons (series) (1896)

  • A woman with a delicate white robe and long blond hair decorated with a white floral wreath holds a lyre and stands under a blossoming tree

    The Seasons: Spring (1896)

  • A woman with long dark hair and bare shoulders wears large red poppies in her hair and leans against a grapevine

    The Seasons: Summer (1896)

  • A woman with long red hair and a wreath of chrysanthemums holds grapes in her right hand and a saucer in her left hand

    The Seasons: Autumn (1896)

  • A dark haired woman wrapped in pale green drapery and surrounded by snow-covered branches holds a small bird in her hands

    The Seasons: Winter (1896)

  • Four decorative panels with four female figures entwined with seasonal plants and the names of the seasons at the bottom of each panel

    The Seasons (variation in screen format) (1896)

  • 12 zodiac signs feature in a halo behind a woman with long golden hair and ornate jewellery seen in profile

    Zodiac (1896)

  • A full-length figure of a woman with stylised blond hair forming arabesques around her body wears a white dress with a pale blue shawl and holds a glass of champagne at face-level with her left hand; she stands against a red background; the text 'Champagne Ruinart Père et fils' features at the top of the poster; 'Rheims' features at the bottom of the poster

    Champagne Ruinart (1896)

  • A woman with short, fair hair and a mauve dress with a frilly collar and cuffs holds a phial of perfume in her right hand which she squeezes onto a white cloth; she stands before a box of perfume phials and is framed by a decorative halo

    Lance Parfum Rodo (1896)

  • Stylised image of the Virgin Mary holding a baby, both wearing ornate gowns and crowns with halos encirlced by a decorative circular backdrop with the text 'Savon' at the top of the composition and 'Notre Dame de la Deliorande' at the bottom

    Study for Savon Notre Dame (c. 1896)

  • A full-length figure of a woman with stylised blond hair forming arabesques around her body wears a white dress with a pale blue shawl and holds a glass of champagne at face-level with her left hand

    Design for Champagne Ruinart (c. 1896)

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