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  • Model in a white embroidered tunic and a black frilly headpiece sits on a wite rug on a couch in front of an ornate gilt mirror

    Model in a Bohemian folk costume posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1900)

  • A partially decorated 'G. Fouquet' sign and decorative elements from the interior including stained glass windows, ledges and moldings

    Boutique Fouquet: sketches of the shop's signboard and decorative details (c.1900)

  • Smudged sketch of an interior with a fireplace in the centre and an ornate frieze linking elements

    Interior of Boutique Fouquet: sketches of the fireplace with statue, mirror, display cabinet, and the ornamental details of the wall (c.1900)

  • wall-mounted display cabinet with statuette and mirror

    Interior of Boutique Fouquet: design for a wall-mounted display cabinet with statuette and mirror (c.1900)

  • Detailed sketch with fireplace at the centre, mirrors either side, and an ornate frieze and cornice at the top

    Interior of Boutique Fouquet: design for the fireplace with statuettes, mirror, and the ornamental details of the wall (c.1900)

  • 4 drawings clockwise from top: an arched doorway; a circular ceiling with table and chairs; an ornate presentation case; a table and chair below a decorative ceiling and walls

    Interior and furniture designs (c.1900)

  • Ornate chain encrusted with pearls and semi-precious stones with a double pendant with two representations of female heads with swirling hair on elongated ivory panels

    Georges Fouquet (1858-1929), Paris, after design by Mucha: Ornamental Chain with pendants (1900)

  • An asymmetric oblong opal encrusted in a gold band with an ornate plant motif

    Georges Fouquet (1858-1929), Paris, after Mucha design: 'Peacock' Ring (Exhibited at the Paris Exhibition 1900) (1900)

  • A bust of a young woman with eyes cast downward, an ornamental neckline and a tall, arched crown with silver lilies on the sides

    Head of a Girl, statue for the stand of the Houbigant Perfumery at the Paris Exhibition 1900 (1900)

  • Decorate vertical border on the left; main image: fashionable woman with a view of Paris skyline behind

    Official Banquet of the Paris Exhibition 1900: design for the menu featuring a fashionable woman wearing a Mucha-style jewellery (1900)

  • left panel: woman dressed in a long gown and a sash held up by a figure behind; right: text with drawings of Austrian buildings at the fair

    Poster for the Austrian Pavilion at the Paris Exhibition 1900 (1900)

  • A young lady in traditional Bosnian costume holding a tray with a coffee pot and cups with flowers at her feet and a decorative halo behind with the words 'Restaurant du Pavillon Bosniaque' at the top

    Menu for the Bosnian Pavilion Restaurant at the Paris Exhibition 1900 (1900)

  • A young lady in traditional Bosnian costume holding a tray with a coffee pot and cups with flowers at her feet and a decorative halo behind

    Bosnian Pavilion Restaurant at the Paris Exhibition 1900: design for the menu (1900)

  • The Bosnia Pavilion in white and terracotta with men and women in traditional Bosnian costume in foreground

    Bosnia & Herzegovina Pavilion - illustration featured in 'Le Figaro Illustré' (1 March 1900) (1900)

  • Bosnia & Herzegovina Pavilion at the Paris Exhibition1900: 'Diorama of Sarajevo' and Mucha's painting 'Bosnia Offers Her Products to the World Exhibition 1900' (1900)

  • Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings (1900)

  • Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings (1900)

  • Broach with Pendant (1900)

  • Mural for the Bosnia-Herzegovina Pavilion: The Roman Period and the Arrival of the Slavs (1900)

  • Four vertical panels side by side - see individual works for descriptions

    The Precious Stones (series) (1900)

  • A woman in a warm golden robe leans with her chin in her right hand and is framed by a gold decorative halo as she sits above an honesty plant

    The Precious Stones: Topaz (1900)

  • A woman with her chin raised and cherries in her hair holds a decorative pendant that sits around her neck and is framed by a gold decorative halo; she sits above above a plant with large and abundant red petals

    The Precious Stones: Ruby (1900)

  • A woman sits above a cluster of dark pink irises and is framed by a gold decorative halo as she lifts her hair above her head with her hands

    The Precious Stones: Amethyst (1900)

  • A woman with a green snake in her dark red hair is framed by a gold decorative halo as she leans her chin in her hands on an animal head above a leafy green plant

    The Precious Stones: Emerald (1900)

  • Four vertical panels side by side - see individual works for descriptions

    The Seasons (series) (1900)

  • A woman with bare shoulders and fair hair holds a large bouquet of flowers and stands against an orange background

    The Seasons: Spring (1900)

  • A woman with bare shoulders holding blue, white and red flowers hitches up her pink dress as she walks through a field of corn and poppies with a sunny sky behind

    The Seasons: Summer (1900)

  • A woman with an embroidered high-neck dress and a headdress of red Chrysanthemums holds a bowl of autumnal fruits

    The Seasons: Autumn (1900)

  • A woman wrapped in a white gown is surrounded by snow-covered branches

    The Seasons: Winter (1900)

  • Two girls framed by a decorative halo surrounded by decorative elements and a vertical border with a lily motif ; title at the bottom of the page

    Cloches de Noel (1900)

  • Line drawing of a woman with a foliage motif holding a sprig of flowers surrounded by a decorative border; colours run from light green at the top to dark yellow in the middle and dark green at the bottom; the text 'Le Monde Illustré' sits at the top of the page and 'Le Salon de 1900' in a disk in the bottom right hand corner of the page

    Le Monde Illustré (1900)

  • Stylised black and white drawing of a woman's head in profile on a brown background framed by green decorative elements; the text 'Académie Colarossi' at the top of the composition and 'Cours Mucha' at the bottom followed by details of the class in a green box

    Cours Mucha: poster advertising Mucha's art classes held at the Académie Colarossi, Paris (1900)

  • Mucha dressed in a suit seated in an ornate chair in front of 3 Sarah Bernhardt posters, looking at the camera

    Self-portrait with posters for Sarah Bernhardt, in his studio, Rue du Val de Grâce, Paris (c.1901)

  • A sheet of four panels to be stuck on a biscuit tin. On the principal panel, an elegantly dressed man and woman sit at a table drinking champagne and eating biscuits. All panels have a decorative border in greens, reds and pinks.

    Packaging for Lefèvre-Utile biscuits: Boudoir (1901)

  • Top half: a book cover design and a rectangular design, both with nudes and ornamental forms; bottom half: 6 decorative elements

    Documents décoratifs: final study for Plate 43 (1901-1902)

  • Top half: an Art Nouveau interior with decorative designs on the walls and a table and chairs with a table cloth and floral centre piece; bottom half: 2 parts of a design for the table cloth

    Documents décoratifs: final study for Plate 72 (1901-1902)

  • 7 ornamental light fittings with elaborate plant motifs

    Documents décoratifs: final study for Plate 63 (1901-1902)

  • Ornate elements including the corner of a bench, a pedestal with vase, a full-length female figure and two decorative motifs

    Documents décoratifs: final study for Plate 67 (1901-1902)

  • A chair in the top corner and 6 close-up details of different parts of the chair

    Documents décoratifs: final study for Plate 71 (1901-1902)

  • 4 decorative friezes with beatles and flowers, turtles and flowers, fish and waves and female heads

    Documents décoratifs: final study for Plate 60 (1901-1902)

  • 6 drawings of a lily from different angles and 5 drawings of lily stamens and leaves

    Documents décoratifs: final study for Plate 25, featuring studies of lily (1901-1902)

  • repetitive lily motif in three horizontal bands

    Documents décoratifs: line drawing for Plate 33, featuring lily motifs (1901-1902)

  • Bare-shouldered model sits on a white rug on a couch and leans forward away from the camera

    Model posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1901)

  • Nude balancing on her left leg holding her right foot just behind her with her arms outstretched leaning up to her left

    Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

  • Nude balancing on her right foot holding her left foot above her head with her left hand

    Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

  • Nude in fifth position balancing on her left leg holding her right foot just behind her with both arms arched above her head

    Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

  • Nude leaning her chest forwards with both arms outstretched diagonally behind her back

    Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

  • A general view of the reconstructed interior with a peacock decoration on the far wall, a wooden circular counter and a presentation case and ornate fireplace on the left wall

    Boutique Fouquet: installation of a space representing the interior designed by Mucha, Musée Carnavalet, Paris (1900)

  • jewellery designs including a comb, a necklace, a broach, a buckle and an earing

    Documents décoratifs: final study for Plate 49 (1901-1902)

  • jewellery designs including a bracelet, a pendant, a comb, a hairpin and a fan

    Documents décoratifs: final study for Plate 50 (1901-1902)

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