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  • A butterfly decorative frieze motif, a comb, a cuff link, a pocket watch and several pendants

    Documents décoratifs: designs for a watch and accessories (unused) (1901-1902)

  • The head and shoulders of a woman seen in profile with ivy in her dark hair and a decorative collar framed by a circle with a mosaic motif and and ivy border

    Ivy (1901)

  • The head and shoulders of a woman seen in profile with laurel leaves in her fair hair held in place with a dark red braid and a decorative collar framed by a circle with a mosaic motif and and a laurel leaf border

    Laurel (1901)

  • A woman in a pink and white dress and long, undulating and wind-swept golden hair leans over the handlebars of a bicycle, with the words 'Cycles Perfecta' above.

    Poster for 'Cycles Perfecta' (1902)

  • letters illuminated with female figures and floral elements and examples of decorative type fonts

    Documents décoratifs: Plate 54 (1902)

  • Nude female model with a white sheet draped around her lower body leaning back over a chair with her arms raised to shoulder level and her hands to her face

    Model posing in Mucha's studio, Rue du Val de Grâce, Paris (1902-1903)

  • A bare-shouldered woman with a flower wreath and a moon halo holds her hand to her mouth and a piece of blue fabric with garlands of stars to her chest

    The Moon and the Stars: study for 'The Moon' (1902)

  • A naked woman holds her right hand to her forehead from which light radiates as she holds piece of pink fabric to her chest with her left hand

    The Moon and the Stars: study for 'The Morning Star' (1902)

  • A female figure turns her head away from the viewer as she raises her left hand to her face

    The Moon and the Stars: study for 'The Evening Star' (1902)

  • A female figure holds her hands up to her face as she turns to the left where light floods into the picture

    The Moon and the Stars: study for 'The Pole Star' (1902)

  • Four vertical panels side by side (see individual works for descriptions)

    The Moon and the Stars (series) (1902)

  • A three quarter length female figure in Breton costume seen from behind holding heather in her right hand; decorative motifs at the bottom of the composition and in a halo form around her head

    Heather from Coastal Cliffs (1902)

  • A woman in Breton costume with an embroidered shawl seen in profile holding a thistle plant; there are decorative elements at the bottom of the composition and in a halo form around the figures head

    Thistle from the Sands (1902)

  • Woman with dark hair and a white shirt with small black spots sitting sideways on an ornate armchair

    Marie (Maruška) Chytilová, art student and Mucha's future wife in his studio, Rue du Val de Grâce, Paris (1903)

  • A woman in a white dress with lace trimmings holding a cello and bow in her left hand turns the page of a music book with her right hand; before her and in the background are two circular white lily motifs; the text 'Zdenka Cerny, The Greatest Bohemian Violincellist' figures in red font at the bottom of the poster

    Zdeňka Černý (1903)

  • Woman in a floral shawl with her hair attached looking head on, lit up from a light below

    Portrait of Marie Chytilová (Maruška), Mucha's Future Wife (1903)

  • Sarah Bernhardt - La Princesse Lointaine - Lefevre Utile (1903)

  • one large circle filled with an image of a girl in a wreath and a traditional smock sitting on the branch of a tree, and two smaller circles with girls seen in profile

    Figures décoratives: final study for Plate 3 (1904-1905)

  • Top two thirds: crescent form with nude and circular pendant with woman seen in profile; bottom third: rectangular panel with nude on a bed flanked by 2 pendants with female heads

    Figures décoratives: final study for Plate 2 (1904-1905)

  • 4 different shapes filled with roughly sketched women in various poses alongside decorative elements

    Figures décoratives: sketch study for Plate14 (1904-1905)

  • 4 different shapes filled with female nudes in various poses against stylised landscapes

    Figures décoratives: final study for Plate14 (1904-1905)

  • Mucha sitting back on a chair next to a table and in front of a well-adorned fireplace

    Self-portrait (double exposure) in Mucha's apartment, New York (c.1905)

  • An ethereal vision of Madonna, surrounded with a mass of lilies, sits above a seated young girl in Slavic folk costume holding a wreath of ivy leaves

    Madonna of the Lilies (1905)

  • Sketch of a group of choirboys in red and white seen from behind with a congregation behind

    Choirboys at Petrov Church, Brno (1905)

  • Woman in an ornate dress with flowing hair against a gold background with title 'Wiener Chic' and information on the content of the issue; decorative vertical border on the left with peacock feather motif

    Wiener Chic (1905)

  • Four sides of a box with a violet motif and a woman in white robes on the principal panel holding a handful of violets

    Packaging for 'Savon Mucha Violette' (1906)

  • An ornate gold necklace with three circular motifs with doves and semi-precious coloured beads and droplets throughout the chain

    Mrs Mucha’s Necklace (1906)

  • Head and shoulders portrait of the artist with a beard leaning his head to his left while looking upwards towards the viewer

    Self-portrait (1907)

  • A woman draped in a sheet lit from below by a tree shaped candelabra

    The Burr McIntosh Monthly, 1907 (1907)

  • The artist's wife dressed in white holding a pink rose, sitting in profile in front of a tapestry

    Portrait of Mucha's Wife, Maruška (1908/17)

  • A seated female model with bedraggled long, dark hair and an angry expression leans on her knee with her head on her hand

    Miss Reichl (Max Reinhardt's Company's leading actress) posing for 'Tragedy', a German Theatre mural, in Mucha's studio, New York (1908)

  • Three figures sit in a tree: a boy with a lyre, a girl with her head in her right hand and a naked female with her head arched back; in the foreground a girl sits looking towards the viewer and behind the tree a larger than life female figure with her hands raised looms above the scene

    Comedy: study for a mural for the German Theatre, New York (1908)

  • Female figure holding a circle in her left hand and coloured ribbons in her right hand with an ivy headdress sitting in a decorative halo with a bird of prey at her feet

    Portrait of Josephine Crane Bradley as Slavia (1908)

  • A full-length female figure in a pale green dress with mauve flowers in her hair stands in front of an ornate chair and is framed by a decorative halo with a lily motif; the words 'Leslie Carter' sit at the top of the composition

    Leslie Carter (1908)

  • Maude Adams (1908)

  • Tragedy - study for a mural for the German theatre New York (1908)

  • Four figures dressed in formal dress and hats standing in front of a wall and a wooden gate

    Mucha with his two sisters and brother-in-law, Rosice, South Moravia (c.1909)

  • A Woman in a white dress with a laced up black bodice holds her hands out beside her face and looks upwards

    Model posing as Joan of Arc for the poster (unrealised) 'The Maid of Orleans' featuring Maude Adams, New York (1909)

  • Mucha seated on a stool in front of his mural with a paint palette and paint brush in his hand

    Self-portrait, working on a mural for the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

  • In an ornate gold and silver alcove, a bare-chested man stands next to a young girl in folk dress with distressed figures below and a large seated figure of a girl in folk dress in the sky behind above a burning building

    Murals by Mucha in the Lord Mayor's Hall, Obecní Dům (Municipal House), Prague (1910-1911)

  • A circular frieze with figures around the outer edges, a stylised plant pattern in the middle, and a bird with open wings in the centre

    The Slavonic Concord: study for the ceiling painting for the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

  • A wooden pendentive with a drawing in pencil portraying three male bare-chested figures, one with his arms spread, with figures in the background

    'By force towards freedom, with love towards unity!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

  • A wooden pendentive with a drawing in pencil portraying a bare-chested man standing next to a young girl in folk dress with figures below and a large seated figure of a girl in folk dress in the sky

    'Through humiliated and tortured, you will live again, my country!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

  • A wooden pendentive with a drawing in pencil portraying a seated girl surrounded by men in robes, a naked male figure below and a bare-chested boy holding a bird behind

    'Accept Love and Enthusiasm from Your Son, Mother of the Holy Nation': study for the mural 'By Own Strength III' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

  • A pendentive with a male figure with a mustache dressed in formal wear standing in front of a woman in folk dress holding her hands up in the air

    Creative Force - Jan z Pernštýna: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

  • A pendentive with a male bearded figure in robes and a crown holding a sword in front of a woman in folk dress holding a stick

    Independence - Jiří z Poděbrad: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

  • A pendentive with a male figure in robes with his hands against his chest standing in front of a woman in folk dress holding her hands above him

    Justice - Master Jan Hus: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

  • A pendentive with a male figure in work cloths holding a hammer standing in front of a woman in folk dress brandishing a sword in her right hand and the crest of Czechoslovakia in her left hand

    Militancy - Jan Žižka: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

  • Prague Subjugated: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

  • Dreaming of Freedom: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

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