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Crucifixion (c.1868)

Pencil, crayon and watercolour on paper
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Portrait of Mucha's Sister, Angela (c.1880)

Oil on canvas
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Design for the cover of the magazine 'Fantaz' (1882)

Ink and watercolour on paper
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Diploma of Ivančice: Mock diploma honouring a local celebrity, with illustration of the first line of 'May', a poem by Karel Hynek Mácha (1882)

Pen and ink and watercolour on paper
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Portrait of Mucha's Sister, Anna (c.1885)

Oil on canvas
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Study of a Male Nude (1885-1887)

Oil on canvas
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Design for the heading of the cover of the magazine 'Krokodil' (1885)

Pen and ink on cardboard
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Karel Václav Mašek, Czech painter as a student at the Munich Academy of Art (c.1886)

Reproduced from original glass plate negative
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The Devil and Mr Twardowsky: study for an illustration for 'The Tale of Pan Twardowsky' (a variation of 'Faust') (c.1887-1888)

Charcoal on paper
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Self-portrait, sketching in his apartment, Paris (late 1880s)

oil on canvas
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In the Desert: Study for an illustration for the Světozor magazine (1889)

Pencil, watercolour and gouache on paper
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‘At the sight of the two storks the owl rose.’ Study for an illustration for Contes de Grand-mères (1891)

Watercolour and gouache on paper
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Page's Costume: study for an illustration for 'Le Costume au Théâtre' (1890)

Pencil and watercolour on cardboard
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Self-portrait in a Russian shirt 'rubashka', in the studio, Rue de la Grande Chaumière, Paris (Early 1890s)

Reproduced from original glass plate negative
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Self-portrait in his studio, Rue de la Grande Chaumière, Paris (1892)

Reproduced from original glass plate negative
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Mucha with his friends in the studio, Rue de la Grande Chaumière, Paris (c.1893-1894)

Reproduced from original glass plate negative
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Paul Gauguin posing in Mucha's studio, Rue de la Grande Chaumière, Paris (1893)

Reproduced from original glass plate negative
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Model posing with a pipe for a book illustration in Mucha's studio, Rue de la Grande Chaumière, Paris. (c.1893-1896)

Reproduced from original glass plate negative
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Paul Gauguin playing Mucha's harmonium in his studio, Rue de la Grande Chaumière, Paris (c.1893-1994)

Reproduced from original glass plate negative
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Poster for ’Gismonda’ (1894)

Colour lithograph
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Funeral procession of French President, Marie François Sadi Carnot (1837-1894) (1894)

Reproduced from original glass plate negative
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Funeral procession of French President, Marie François Sadi Carnot (1837-1894) (1894)

Reproduced from original glass plate negative
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Théâtre de la Renaissance: design for poster advertising Sarah Bernhardt's theatre (c.1895)

Pen and ink on paper
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Judgement of Paris (calendar for Vieillemard printing company) (1895)

Colour lithograph
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Diadem for 'La princesse lointaine' (1895)

metal and pearls
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Amants (1895)

Colour lithograph
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Self-portrait on stepladder, working on the cartoon of the poster 'Imprimerie Cassan Fils' (1896) (1896)

Reproduced from original glass plate negative
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Poster for 'La Dame aux Camélias' (1896)

Colour lithograph
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La Dame aux Camélias: designs for cover and interior of special programme (1896)

Pencil and watercolour on paper
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Poster for 'Lorenzaccio' (1896)

Colour lithograph
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Head of Sarah Bernhardt: Study for 'Lorenzaccio' (1896)

Pencil on paper
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Sarah Bernhardt: study of her full-standing figure (c.1896)

Pen and ink on paper
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Model posing with a silk hat in Mucha's studio, Rue du Val de Grâce, Paris (c.1896)

Reproduced from original glass plate negative
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Self-portrait - Mucha posing with a silk hat in the studio, Rue du Val de Grâce, Paris (c.1896)

Reproduced from original glass plate negative
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Poster for 'Imprimerie Cassan Fils' (1896)

Colour lithograph
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Poster for 'Biscuits Champagne Lefèvre-Utile' (1896)

Colour lithograph
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Poster for 'Salon des Cent 20th Exhibition' (1896)

Colour lithograph
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Poster for 'Job' cigarette paper (1896)

Colour lithograph
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Berthe de Lalande, Mucha's mistress, in Mucha's studio, Rue du Val de Grâce, Paris (c.1896-1997)

Reproduced from original glass plate negative
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The Seasons (series) (1896)

Colour lithograph
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The Seasons: Spring (1896)

Colour lithograph
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The Seasons: Summer (1896)

Colour lithograph
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The Seasons: Autumn (1896)

Colour lithograph
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The Seasons: Winter (1896)

Colour lithograph
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The Seasons (variation in screen format) (1896)

Colour lithograph
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Zodiac (1896)

Colour lithograph
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Champagne Ruinart (1896)

Colour lithograph
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Lance Parfum Rodo (1896)

Colour lithograph
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Study for Savon Notre Dame (c. 1896)

pencil and watercolour on paper
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Design for Champagne Ruinart (c. 1896)

Pencil, watercolour and gold leaf on paper
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Design for a champagne poster (c. 1896)

Charcoal and pastel on paper
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L'Illustration magazine - cover for Christmas 1896/1897 (1896)

Magazine cover
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Sarah Bernhardt as La Princesse Lointaine: poster for 'La Plume' magazine (1897)

Colour lithograph
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Poster for 'Chocolat Idéal' (1897)

Colour lithograph
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Poster for 'Bières de la Meuse' (1897)

Colour lithograph
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Poster for 'Monaco - Monte Carlo', P.L.M. railway services (1897)

Colour lithograph
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Poster for 'Nestlé's Food for Infants' (1897)

Colour lithograph
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Poster for 'Hommage Respectueux de Nestlé' (the Nestlé Company's tribute to Queen Victoria's 60th Jubilee) (1897)

Colour lithograph
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Mucha's studio decorated with his collection of objets d'art, Rue du Val de Grâce, Paris (c.1897)

Reproduced from original glass plate negative
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Fruit (1897)

Colour lithograph
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Flower (1897)

Colour lithograph
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Flower: final study for decorative panel (1897)

Pencil, ink and watercolour on paper
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Poster for 'Salon des Cent Mucha Exhibition June 1897' (1897)

Colour lithograph
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Byzantine Heads (pair) (1897)

Colour lithograph
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Byzantine Heads: Brunette (1897)

Colour lithograph
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Byzantine Heads: Blonde (1897)

Colour lithograph
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Société Populaire des Beaux Arts (1897)

Colour lithograph
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F. Guillot Pelletier-Orleans Calendar (1897)

Colour lithograph
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Ilsée, Princesse de Tripoli (1897)

Illustrated book
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La Plume (1897)

Magazine cover
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L'Illustré Soleil du Dimanche (1897)

Magazine cover
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L'Annee Qui Vient (1897)

red chalk on paper
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Poster for 'La Trappistine' (1897)

colour lithograph
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Poster for 'La Samaritaine' (1897)

colour lithograph
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Biscuits Lefevre Utile (1897)

Colour lithograph
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Salomé (1897)

Colour lithograph
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West End Review (1897)

Colour lithograph
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Poster for 'Médée' (1898)

Colour lithograph
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Poster for 'Job' cigarette paper (1898)

Colour lithograph
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Poster for 'Waverley Cycles' (1898)

Colour lithograph
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Amilcare Cipriani (1843-1918), Italian revolutionary and socialist, in Mucha's studio, Rue du Val de Grâce, Paris. (c.1898)

Reproduced from original glass plate negative
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Rêverie (1898)

Colour lithograph
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The Arts: study for 'Painting' (1898)

Pencil and watercolour on paper
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The Arts: study for 'Poetry' (1898)

Pencil and watercolour on paper
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The Arts: study for 'Music' (1898)

Pencil and watercolour on paper
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The Arts: study for 'Dance' (1898)

Pencil and watercolour on paper
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The Arts (series) (1898)

Colour lithograph
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The Arts: Painting (1898)

Colour lithograph
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The Arts: Poetry (1898)

Colour lithograph
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The Arts: Music (1898)

Colour lithograph
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The Arts: Dance (1898)

Colour lithograph
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Nude on a Rock (1898-1899)

Bronze
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The Flowers (series) (1898)

Colour lithographs
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The Flowers: Rose (1898)

Colour lithograph
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The Flowers: Iris (1898)

Colour lithograph
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The Flowers: Carnation (1898)

Colour lithograph
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The Flowers: Lily (1898)

Colour lithograph
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Bénédictine (1898)

Colour lithograph
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Au Quartier Latin (1898)

Magazine cover
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Letem Českým Světem (1898)

Printed book
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Self-portrait (1899)

Oil on board
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Poster for 'La Tosca' (1899)

Colour lithograph
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Poster for 'Moët & Chandon: Dry Imperial' (1899)

Colour lithograph
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Poster for 'Moët & Chandon: Champagne White Star' (1899)

Colour lithograph
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Tin for Lefèvre-Utile biscuits (1899)

Circular tin with lid and handle; colour print on metal
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Print proof for the Biscuits Lefèvre-Utile tin (1899)

Lithograph
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Model reclining on the couch in Mucha's studio, Rue du Val-de-Grâce, Paris. (1899)

Modern print from original glass plate negative
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'The Passing Wind Takes Youth Away': design for a fan and the façade of the 'Pavilion of Man' (unrealised) (1899)

Colour lithograph
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Design for a display stand at the Paris Exhibition 1900 (c.1899-1900)

Pencil and wash on paper
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Woman masked in white head-scarf - study for the illustration of the Bosnia & Herzegovina Pavilion featured in 'Le Figaro Illustré' (1 March 1900) (1899)

Pencil and wash heightened with white on paper
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Bosnian people in ceremonial costumes - from research trip to the Balkans (1899)

Original vintage print
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Models posing for the Bosnia & Herzegovina Pavilion decoration (1899-1900)

Original vintage print
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Model posing for the Bosnia & Herzegovina Pavilion decoration (1899-1900)

Reproduced from original glass plate negative
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Bosnian Legends: Murcia - The Plague Lady (1899)

Charcoal on paper
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Bosnian Legends: Death of Hasanaga's Bride (1899)

Charcoal on paper
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Dead Couple - Abandoned (c.1899-1900)

Charcoal and pastel on blue paper
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Military Camp in Winter, near a City on Fire (c.1899-1900)

Pastel on paper
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Girl Weeping (c.1899-1900)

Black chalk and pastel on paper
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Snake Bracelet with a Ring (1899)

Gold, enamel, opal, ruby and diamond
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La Nature (1899-1900)

Bronze and amethyst
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Bosnia-Herzegovina Pavilion: cartoon for the mural 'The Roman Period and the Arrival of the Slavs' (1899-1900)

ink and crayon on paper
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Bosnia-Herzegovina Pavilion: fragment of the upper frieze featuring Ivo and Anica, characters from Bosnian legends (1899-1900)

tempera and watercolour on canvas
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Primrose (1899)

Colour lithograph
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Feather (1899)

Colour lithograph
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The Times of the Day (series) (1899)

Colour lithograph
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The Times of the Day: Morning Awakening (1899)

Colour lithograph
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The Times of the Day: Brightness of Day (1899)

Colour lithograph
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The Times of the Day: Evening Contemplation (1899)

Colour lithograph
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The Times of the Day: Night’s Rest (1899)

Colour lithograph
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The Months (January-June) (1899)

Colour lithograph
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The Months (July-December) (1899)

Colour lithograph
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Flirt (1899)

Colour lithograph
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Le Pater (1899)

Illustrated book
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Le Pater: early study for the 1st allegorical scene 'Our Father who art in Heaven' (1899)

Pencil on paper
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Le Pater: study for the 6th allegorical scene 'Forgive us our debts, as we forgive our debtors' (1899)

Charcoal and ink wash on paper
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Le Pater: early study for the 1st allegorical scene 'Our Father who art in Heaven' (1899)

Pastel on paper
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Poster for 'Hamlet' (1899)

colour lithograph
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Sarah Bernhardt in the role of the Duc de Reichstadt in L’Aiglon (1900)

Pencil on paper
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Model posing in Mucha's studio, Rue du Val-de-Grâce, Paris (c.1900)

Reproduced from original glass plate negative
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Model posing in Mucha's studio, Rue du Val-de-Grâce, Paris (c.1900)

Reproduced from original glass plate negative
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Box for Lefèvre-Utile biscuits: Gaufrettes Vanille (c.1900)

Tin box covered with lithographed label
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Box for Lefèvre-Utile biscuits: Madère (c.1900)

Tin box covered with lithographed label
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Designs for cutlery (c.1900)

Charcoal and white on card
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Designs for tableware (c.1900)

Charcoal, coloured pencil and white on card
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Ornamental motifs designed for 'Combinaisons Ornementales se Multipliant à l'Infini à l'Aide du Miroir' (1901) (c.1900-1901)

Blue and red pencil on paper
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Winter View, Jardin du Luxembourg, Paris (c.1900)

Reproduced from original glass plate negative
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Sketches of flowers for Documents décoratifs (c.1900-1901)

Pen and ink on paper
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Woman with a Daisy - textile designed by Mucha (1900)

Printed upholstery fabric
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Model posing in Mucha's studio, Rue du Val de Grâce, Paris (1899-1900)

Reproduced from original glass plate negative
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Model posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1900)

Reproduced from original glass plate negative
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Model in a Bohemian folk costume posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1900)

Reproduced from original glass plate negative
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Boutique Fouquet: sketches of the shop's signboard and decorative details (c.1900)

Pencil, ink and watercolour on paper
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Interior of Boutique Fouquet: sketches of the fireplace with statue, mirror, display cabinet, and the ornamental details of the wall (c.1900)

Pencil, pen and ink on paper
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Interior of Boutique Fouquet: design for a wall-mounted display cabinet with statuette and mirror (c.1900)

Pencil on paper
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Interior of Boutique Fouquet: design for the fireplace with statuettes, mirror, and the ornamental details of the wall (c.1900)

Pencil and watercolour on cardboard
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Interior and furniture designs (c.1900)

Pencil on paper
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Georges Fouquet (1858-1929), Paris, after design by Mucha: Ornamental Chain with pendants (1900)

Gold, enamel, fresh-water pearls, mother of pearl and semi-precious stones
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Georges Fouquet (1858-1929), Paris, after Mucha design: 'Peacock' Ring (Exhibited at the Paris Exhibition 1900) (1900)

Opal and gold
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Head of a Girl, statue for the stand of the Houbigant Perfumery at the Paris Exhibition 1900 (1900)

Bronze, silver and parcel gilt
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Official Banquet of the Paris Exhibition 1900: design for the menu featuring a fashionable woman wearing a Mucha-style jewellery (1900)

Pencil, gouache and wash on grey paper
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Poster for the Austrian Pavilion at the Paris Exhibition 1900 (1900)

Colour lithograph
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Menu for the Bosnian Pavilion Restaurant at the Paris Exhibition 1900 (1900)

Colour lithograph
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Bosnian Pavilion Restaurant at the Paris Exhibition 1900: design for the menu (1900)

Pencil and watercolour on paper
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Bosnia & Herzegovina Pavilion - illustration featured in 'Le Figaro Illustré' (1 March 1900) (1900)

Reproduction from Le Figaro Illustré after watercolour original
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Bosnia & Herzegovina Pavilion at the Paris Exhibition1900: 'Diorama of Sarajevo' and Mucha's painting 'Bosnia Offers Her Products to the World Exhibition 1900' (1900)

Non-Mucha archive photo
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Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings (1900)

Non-Mucha archive photo
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Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings (1900)

Non-Mucha archive photo
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Broach with Pendant (1900)

Gold, ivory, mother-of-pearl and semi-precious stones
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Mural for the Bosnia-Herzegovina Pavilion: The Roman Period and the Arrival of the Slavs (1900)

tempera and watercolour on canvas
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The Precious Stones (series) (1900)

Colour lithograph
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The Precious Stones: Topaz (1900)

Colour lithograph
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The Precious Stones: Ruby (1900)

Colour lithograph
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The Precious Stones: Amethyst (1900)

Colour lithograph
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The Precious Stones: Emerald (1900)

Colour lithograph
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The Seasons (series) (1900)

Colour lithograph
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The Seasons: Spring (1900)

Colour lithograph
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The Seasons: Summer (1900)

Colour lithograph
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The Seasons: Autumn (1900)

Colour lithograph
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The Seasons: Winter (1900)

Colour lithograph
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Cloches de Noel (1900)

Illustrated book
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Le Monde Illustré (1900)

Magazine cover
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Cours Mucha: poster advertising Mucha's art classes held at the Académie Colarossi, Paris (1900)

colour lithograph
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Self-portrait with posters for Sarah Bernhardt, in his studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
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Packaging for Lefèvre-Utile biscuits: Boudoir (1901)

Colour lithograph
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Documents décoratifs: final study for Plate 43 (1901-1902)

Pencil, ink and wash, heightened with white on paper
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Documents décoratifs: final study for Plate 72 (1901-1902)

Pencil and wash, heightened with white on paper
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Documents décoratifs: final study for Plate 63 (1901-1902)

Pencil and white on paper
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Documents décoratifs: final study for Plate 67 (1901-1902)

Pencil and white on paper
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Documents décoratifs: final study for Plate 71 (1901-1902)

Pencil and white on paper
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Documents décoratifs: final study for Plate 60 (1901-1902)

Pencil, ink and wash, heightened with white on paper
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Documents décoratifs: final study for Plate 25, featuring studies of lily (1901-1902)

Pencil on paper
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Documents décoratifs: line drawing for Plate 33, featuring lily motifs (1901-1902)

Pencil, pen and ink on paper
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Model posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
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Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
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Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
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Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
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Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
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Boutique Fouquet: installation of a space representing the interior designed by Mucha, Musée Carnavalet, Paris (1900)

Selection of digital images from Musée Carnavalet
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Documents décoratifs: final study for Plate 49 (1901-1902)

Pencil and white on paper
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Documents décoratifs: final study for Plate 50 (1901-1902)

Pencil and white on paper
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Documents décoratifs: designs for a watch and accessories (unused) (1901-1902)

Pencil, ink and white on paper
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Ivy (1901)

Colour lithograph
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Laurel (1901)

Colour lithograph
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Poster for 'Cycles Perfecta' (1902)

Colour lithograph
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Documents décoratifs: Plate 54 (1902)

Lithograph
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Model posing in Mucha's studio, Rue du Val de Grâce, Paris (1902-1903)

Reproduced from original glass plate negative
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The Moon and the Stars: study for 'The Moon' (1902)

Ink and watercolour on paper
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The Moon and the Stars: study for 'The Morning Star' (1902)

Ink and watercolour on paper
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The Moon and the Stars: study for 'The Evening Star' (1902)

Ink and watercolour on paper
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The Moon and the Stars: study for 'The Pole Star' (1902)

Ink and watercolour on paper
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The Moon and the Stars (series) (1902)

Colour lithograph
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Heather from Coastal Cliffs (1902)

Colour lithograph
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Thistle from the Sands (1902)

Colour lithograph
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Marie (Maruška) Chytilová, art student and Mucha's future wife in his studio, Rue du Val de Grâce, Paris (1903)

Reproduced from original glass plate negative
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Zdeňka Černý (1903)

Colour lithograph
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Portrait of Marie Chytilová (Maruška), Mucha's Future Wife (1903)

pastel on paper
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Sarah Bernhardt - La Princesse Lointaine - Lefevre Utile (1903)

Colour lithograph
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Figures décoratives: final study for Plate 3 (1904-1905)

Pencil and white on paper
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Figures décoratives: final study for Plate 2 (1904-1905)

Pencil and white on paper
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Figures décoratives: sketch study for Plate14 (1904-1905)

Blue pencil on paper
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Figures décoratives: final study for Plate14 (1904-1905)

Pencil with white on paper
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Self-portrait (double exposure) in Mucha's apartment, New York (c.1905)

Reproduced from original glass plate negative
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Madonna of the Lilies (1905)

Tempera on canvas
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Choirboys at Petrov Church, Brno (1905)

Watercolour on cardboard
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Wiener Chic (1905)

Magazine cover
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Packaging for 'Savon Mucha Violette' (1906)

Colour lithograph
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Mrs Mucha’s Necklace (1906)

gold, enamel and semi-precious stones
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Self-portrait (1907)

Blue and white crayon on blue Ingres paper
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The Burr McIntosh Monthly, 1907 (1907)

Magazine cover
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Portrait of Mucha's Wife, Maruška (1908/17)

Oil on canvas
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Miss Reichl (Max Reinhardt's Company's leading actress) posing for 'Tragedy', a German Theatre mural, in Mucha's studio, New York (1908)

Reproduced from original glass plate negative
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Comedy: study for a mural for the German Theatre, New York (1908)

Oil on canvas
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Portrait of Josephine Crane Bradley as Slavia (1908)

Oil and tempera on canvas
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Leslie Carter (1908)

Colour lithograph
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Maude Adams (1908)

Lithograph, hand-coloured in watercolour and gouache
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Tragedy - study for a mural for the German theatre New York (1908)

Oil and tempera on canvas
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Mucha with his two sisters and brother-in-law, Rosice, South Moravia (c.1909)

Reproduced from original glass plate negative
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Model posing as Joan of Arc for the poster (unrealised) 'The Maid of Orleans' featuring Maude Adams, New York (1909)

Reproduced from original glass plate negative
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Self-portrait, working on a mural for the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

Reproduced from original glass plate negative
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Murals by Mucha in the Lord Mayor's Hall, Obecní Dům (Municipal House), Prague (1910-1911)

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The Slavonic Concord: study for the ceiling painting for the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Oil on canvas
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'By force towards freedom, with love towards unity!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Pencil and charcoal on canvas
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'Through humiliated and tortured, you will live again, my country!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Pencil and charcoal on canvas
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'Accept Love and Enthusiasm from Your Son, Mother of the Holy Nation': study for the mural 'By Own Strength III' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Pencil and charcoal on canvas
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Creative Force - Jan z Pernštýna: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Oil on canvas
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Independence - Jiří z Poděbrad: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Oil on canvas
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Justice - Master Jan Hus: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

Oil on canvas
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Militancy - Jan Žižka: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

Oil on canvas
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Prague Subjugated: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Pen and ink and watercolour on paper
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Dreaming of Freedom: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Pen and ink and watercolour on paper
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Poster for 'Moravian Teachers' Choir' (1911)

Colour lithograph
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Study for 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland (1912) (c.1910-1912)

Oil on canvas
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Models posing as struggling figures for 'The Slav Epic' cycle No.2: The Celebration of Svantovít (1911-1912)

Reproduced from original glass plate
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Models posing as struggling figures for 'The Introduction of the Slavonic Liturgy' (The Slav Epic cycle No.3, 1912) (1911-1912)

Reproduced from original glass plate plate
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Princess Hyacinth (1911)

Colour lithograph
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Poster for 'Regional Exhibition at Ivančice 1913' (1912)

Colour lithograph
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Study for 'The Slav Epic' cycle No.2: The Celebration of Svantovít (c.1910-1912)

Oil on canvas
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Poster for the 'Lottery of the Union of Southwestern Moravia' (1912)

Colour lithograph
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'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland. Between the Turanian Whip and the Sword of the Goths (between the 3rd and 6th centuries AD). (1912)

Egg tempera on canvas
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6th Sokol Festival (1912)

Colour lithograph
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The Threat (1912)

Colour lithograph
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Study for 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia (1913-1914)

Watercolour and gouache on paper
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St Basil's Cathedral and Red Square, Moscow (1913)

Reproduced from original glass plate plate
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Peasant father and son with the Tsar Bell in the background, Moscow Kremlin (1913)

Reproduced from original glass plate plate
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Procession of the Beatification Ceremony, Red Square, Moscow (1913)

Reproduced from original glass plate plate
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Mucha sketching in Red Square, Moscow (1913)

Reproduced from original glass plate plate
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Beggar and a bourgeois lady, Moscow (1913)

Reproduced from original glass plate plate
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'The Slav Epic' cycle No.2: The Celebration of Svantovít. When Gods Are at War, Salvation Is in the Arts (between the 8th and 10th centuries AD). (1912)

egg tempera on canvas
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Study for 'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski (c.1913-1914)

Photographed drawings stuck together, tinted with watercolour and gouache
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'The Slav Epic' cycle No.3: Introduction of the Slavonic Liturgy. Praise God in Your Mother Tongue (9th century AD). (1912)

egg tempera on canvas
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'The Slav Epic' cycle No.4: Tsar Simeon of Bulgaria. The Dawn of Slav Literature (10th century AD). (1923)

egg tempera on canvas
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Study for 'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž (c.1915-1916)

Oil on canvas
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Study for 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412). (c.1915-1916)

Oil on canvas
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Mucha posing as Jan Hus for 'Master Jan Hus Preaching at the Bethlehem Chapel' (The Slav Epic cycle No.9, 1916) (c.1915-1916)

Reproduced from original glass plate plate
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'The Slav Epic' cycle No.5: The Bohemian King Přemysl Otakar II. The Union of Slav Dynasties (13th century). (1924)

egg tempera on canvas
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'The Slav Epic' cycle No.6: Tsar Štěpán Dušan. The Slavic Code of Law (14th century). (1923)

egg tempera on canvas
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'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž. The Magic of the Word: A Brothel Converted into a Convent (14th century). (1916)

egg tempera on canvas
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France Embraces Bohemia (1918)

oil on canvas
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Song of Bohemia (1918)

oil on canvas
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Mucha with the Slav Epic canvases exhibited in the the Klementinum, Prague (1919)

Reproduced from original glass plate plate
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'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412). (1916)

egg tempera on canvas
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Design for the poster for the Mucha Exhibition at the Brooklyn Museum, New York, January-February 1921 (1920)

Pen and ink and watercolour on paper
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'The Slav Epic' cycle No.10: The Meeting at Křížky. The Magic of Words: Sub utraque (1419) (1916)

egg tempera on canvas
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'The Slav Epic' cycle No.8: After the Battle of Grunewald. The Solidarity of the Northern Slavs (1410). (1924)

egg tempera on canvas
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Self-portrait with the mirrored image of his wife Maruška (photomontage), Zbiroh Castle, West Bohemia (Early 1920s)

Reproduced from original glass plate negative
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Portrait of Woman (c. mid 1910s - 1925)

Blue pastel on grey paper
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Study for the poster 'Russia Restituenda [Russia Must Recover]' (1922)

Pen and ink and watercolour on paper
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Mother and Child, Prague: study for the poster 'Russia Restituenda' (1922) (c.1921-1922)

Vintage print
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Maruška posing as Russian peasant woman for 'Woman in the Wilderness' (1923) (c.1922-1923)

Reproduced from original glass plate plate
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Russia Restituenda [Russia Must Recover] (1922)

Colour lithograph
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Study for 'Woman in the Wilderness' (c. 1922-1923)

oil on canvas
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Study for 'Woman in the Wilderness' (c. 1922-1923)

oil on canvas
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'The Slav Epic' cycle No.11: After the Battle of Vítkov. God is Found in Truth, Not Force (1420) (1923)

egg tempera on canvas
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'The Slav Epic' cycle No.12: Petr Chelčický at Vodňany. Do Not Repay Evil with Evil (1433). (1918)

egg tempera on canvas
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Woman in the Wilderness (1923)

Oil on canvas
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Ruined Orthodox Church, probably Ružica Church, Belgrade, Serbia (1924)

Reproduced from original glass plate plate
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Dome of the Chilandar Monastery, Mount Athos (1924)

Reproduced from original glass plate plate
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Chilandar Monastery, Mount Athos (1924)

Reproduced from original glass plate plate
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Stone breakers, Bulgaria (1924)

Reproduced from original glass plate plate
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Romany mother and child, Bulgaria (1924)

Reproduced from original glass plate plate
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Mucha working on the canvas 'Tsar Štěpán Dušan. The Slavic Code of Law (14th century).' (The Slav Epic cycle No.6, 1923) (1923)

Vintage print
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'The Slav Epic' cycle No.13: The Hussite King Jiří of Podĕbrady. Treaties Are To be Respected (1462). (1923)

Egg tempera on canvas
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'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski. The Shield of Christendom (1566). (1914)

egg tempera on canvas
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Portrait of Mucha's Son, Jiří (1925)

Oil on canvas
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Poster for the '8th Sokol Festival Prague 1926' (1925)

Colour lithograph
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Study for 'The Slav Epic' cycle No.17: The Holy Mount Athos (1926) (c.1925-26)

Charcoal heightened with white on cardboard
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Mucha and his assistant Knap posing for 'The Holy Mount Athos' (The Slav Epic cycle No.17, 1926) (c.1925-1926)

Reproduced from original glass plate plate
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Children posing as the Czech youths vowing Slavic ideals for 'Oath of the "Youth" under the Slav Linden Tree' (The Slav Epic cycle No.18, 1926) (1925-1926)

Reproduced from original glass plate plate
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'The Slav Epic' cycle No.15: The Brethren School in Ivančice, the Printing of the Czech Bible. God Gave Us the Gift of Language (1578). (1914)

egg tempera on canvas
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Study for 'The Slav Epic' cycle No.18: The Oath of Omladina under the Slavic Linden Tree (c.1925-1926)

Pencil and watercolour on paper
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Mucha directing a group of models posing for 'Apotheosis: Slavs for Humanity' (The Slav Epic cycle No.20, 1926) (1926)

Reproduced from original glass plate plate
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'The Slav Epic' cycle No.16: Jan Amos Komenský. A Glimmer of Hope (1670). (1918)

Egg tempera on canvas
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Portrait of Mucha's Daughter, Jaroslava (c.1927-1935)

Oil on canvas
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'The Slav Epic' cycle No.17: Holy Mount Athos. Vatican of Orthodox Christianity, Sheltering the Oldest Slav Literary Monuments (18th century) (1926)

Egg tempera on canvas
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1918-1928: Poster for the 10th Anniversary of the Independence of the Republic of Czechoslovakia (1928)

Colour lithograph
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Poster for 'The Slav Epic Exhibition, Brno, 1930' (1928-1930)

Colour lithograph
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'The Slav Epic' cycle No.18: Oath of the "Youth" under the Slav Linden Tree. The Slav Revival (19th century). (1926, unfinished)

Egg tempera on canvas
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'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia. To Work in Freedom Is the Foundation of a State (1861) (1914)

Egg tempera on canvas
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Banknotes of Czechoslovakia, designed by Mucha: 500 crown; 50 Crown; 10 Crown (1929)

Banknotes
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Self-portrait in a formal masonic regalia as Supreme Commander of Scottish Rite Freemasonry in Czechoslovakia, Prague (1930)

Reproduced from original glass plate negative
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'The Slav Epic' cycle No.20: Apotheosis: Slavs for Humanity. Four Stages of Slav History in Four Colours (1918). (1926)

Egg tempera on canvas
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St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring SS Cyril and Methodius (1931)

Ink and watercolour on paper
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St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Ludmila (1931)

Ink and watercolour on paper
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St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Wenceslas (Duke of Bohemia) kneeling next to his Grandmother, St. Ludmila (1931)

Ink and watercolour on paper
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St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom left panels (1931)

Ink and watercolour on paper
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St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom right panels (1931)

Ink and watercolour on paper
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Stained-glass Window designed by Mucha at St. Vitus Cathedral, Prague (Early 1930s)

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The Light of Hope (1933)

Oil on canvas
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Nativity (c. 1934)

oil on canvas
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Self-portrait, Prague (1930s)

Reproduced from original glass plate negative
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Study for 'The Three Ages' triptych: Reason, Wisdom and Love [unfinished project] (1936-1938)

Pencil and watercolour on paper
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Study for 'The Age of Reason' (1936-1938)

Pencil and watercolour on paper
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The Oath of Concord of the Slavs (unfinished) (1939)

oil on canvas
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Related objects

Modely pózující pro „Zavedení slovanské liturgie“ (3. plátno cyklu Slovanská epopej, 1912) (1911–1912)

reprodukce z původního negativu na skleněné desce
Go to Modely pózující pro „Zavedení slovanské liturgie“ (3. plátno cyklu Slovanská epopej, 1912)