- Browse Works - Gallery - Mucha Foundation

[Skip to content] [Skip to main navigation] [Go to the global search form] [Skip to sub navigation] [Skip to quick links] [Go to the accessibility information page]

Previous
of 333 works
Next

See all works

Browse Works

Set of

Crucifixion (c.1868)

Pencil, crayon and watercolour on paper
Go to Crucifixion
Portrait of Mucha's Sister, Angela (c.1880)

Oil on canvas
Go to Portrait of Mucha's Sister, Angela
Design for the cover of the magazine 'Fantaz' (1882)

Ink and watercolour on paper
Go to Design for the cover of the magazine 'Fantaz'
Diploma of Ivančice: Mock diploma honouring a local celebrity, with illustration of the first line of 'May', a poem by Karel Hynek Mácha (1882)

Pen and ink and watercolour on paper
Go to Diploma of Ivančice: Mock diploma honouring a local celebrity, with illustration of the first line of 'May', a poem by Karel Hynek Mácha
Portrait of Mucha's Sister, Anna (c.1885)

Oil on canvas
Go to Portrait of Mucha's Sister, Anna
Study of a Male Nude (1885-1887)

Oil on canvas
Go to Study of a Male Nude
Design for the heading of the cover of the magazine 'Krokodil' (1885)

Pen and ink on cardboard
Go to Design for the heading of the cover of the magazine 'Krokodil'
Karel Václav Mašek, Czech painter as a student at the Munich Academy of Art (c.1886)

Reproduced from original glass plate negative
Go to Karel Václav Mašek, Czech painter as a student at the Munich Academy of Art
The Devil and Mr Twardowsky: study for an illustration for 'The Tale of Pan Twardowsky' (a variation of 'Faust') (c.1887-1888)

Charcoal on paper
Go to The Devil and Mr Twardowsky: study for an illustration for 'The Tale of Pan Twardowsky' (a variation of 'Faust')
Self-portrait, sketching in his apartment, Paris (late 1880s)

oil on canvas
Go to Self-portrait, sketching in his apartment, Paris
In the Desert: Study for an illustration for the Světozor magazine (1889)

Pencil, watercolour and gouache on paper
Go to In the Desert: Study for an illustration for the Světozor magazine
‘At the sight of the two storks the owl rose.’ Study for an illustration for Contes de Grand-mères (1891)

Watercolour and gouache on paper
Go to ‘At the sight of the two storks the owl rose.’ Study for an illustration for Contes de Grand-mères
Page's Costume: study for an illustration for 'Le Costume au Théâtre' (1890)

Pencil and watercolour on cardboard
Go to Page's Costume: study for an illustration for 'Le Costume au Théâtre'
Self-portrait in a Russian shirt 'rubashka', in the studio, Rue de la Grande Chaumière, Paris (Early 1890s)

Reproduced from original glass plate negative
Go to Self-portrait in a Russian shirt 'rubashka', in the studio, Rue de la Grande Chaumière, Paris
Self-portrait in his studio, Rue de la Grande Chaumière, Paris (1892)

Reproduced from original glass plate negative
Go to Self-portrait in his studio, Rue de la Grande Chaumière, Paris
Mucha with his friends in the studio, Rue de la Grande Chaumière, Paris (c.1893-1894)

Reproduced from original glass plate negative
Go to Mucha with his friends in the studio, Rue de la Grande Chaumière, Paris
Paul Gauguin posing in Mucha's studio, Rue de la Grande Chaumière, Paris (1893)

Reproduced from original glass plate negative
Go to Paul Gauguin posing in Mucha's studio, Rue de la Grande Chaumière, Paris
Model posing with a pipe for a book illustration in Mucha's studio, Rue de la Grande Chaumière, Paris. (c.1893-1896)

Reproduced from original glass plate negative
Go to Model posing with a pipe for a book illustration in Mucha's studio, Rue de la Grande Chaumière, Paris.
Paul Gauguin playing Mucha's harmonium in his studio, Rue de la Grande Chaumière, Paris (c.1893-1994)

Reproduced from original glass plate negative
Go to Paul Gauguin playing Mucha's harmonium in his studio, Rue de la Grande Chaumière, Paris
Poster for ’Gismonda’ (1894)

Colour lithograph
Go to Poster for ’Gismonda’
Funeral procession of French President, Marie François Sadi Carnot (1837-1894) (1894)

Reproduced from original glass plate negative
Go to Funeral procession of French President, Marie François Sadi Carnot (1837-1894)
Funeral procession of French President, Marie François Sadi Carnot (1837-1894) (1894)

Reproduced from original glass plate negative
Go to Funeral procession of French President, Marie François Sadi Carnot (1837-1894)
Théâtre de la Renaissance: design for poster advertising Sarah Bernhardt's theatre (c.1895)

Pen and ink on paper
Go to Théâtre de la Renaissance: design for poster advertising Sarah Bernhardt's theatre
Judgement of Paris (calendar for Vieillemard printing company) (1895)

Colour lithograph
Go to Judgement of Paris (calendar for Vieillemard printing company)
Diadem for 'La princesse lointaine' (1895)

metal and pearls
Go to Diadem for 'La princesse lointaine'
Amants (1895)

Colour lithograph
Go to Amants
Self-portrait on stepladder, working on the cartoon of the poster 'Imprimerie Cassan Fils' (1896) (1896)

Reproduced from original glass plate negative
Go to Self-portrait on stepladder, working on the cartoon of the poster 'Imprimerie Cassan Fils' (1896)
Poster for 'La Dame aux Camélias' (1896)

Colour lithograph
Go to Poster for 'La Dame aux Camélias'
La Dame aux Camélias: designs for cover and interior of special programme (1896)

Pencil and watercolour on paper
Go to La Dame aux Camélias: designs for cover and interior of special programme
Poster for 'Lorenzaccio' (1896)

Colour lithograph
Go to Poster for 'Lorenzaccio'
Head of Sarah Bernhardt: Study for 'Lorenzaccio' (1896)

Pencil on paper
Go to Head of Sarah Bernhardt: Study for 'Lorenzaccio'
Sarah Bernhardt: study of her full-standing figure (c.1896)

Pen and ink on paper
Go to Sarah Bernhardt: study of her full-standing figure
Model posing with a silk hat in Mucha's studio, Rue du Val de Grâce, Paris (c.1896)

Reproduced from original glass plate negative
Go to Model posing with a silk hat in Mucha's studio, Rue du Val de Grâce, Paris
Self-portrait - Mucha posing with a silk hat in the studio, Rue du Val de Grâce, Paris (c.1896)

Reproduced from original glass plate negative
Go to Self-portrait - Mucha posing with a silk hat in the studio, Rue du Val de Grâce, Paris
Poster for 'Imprimerie Cassan Fils' (1896)

Colour lithograph
Go to Poster for 'Imprimerie Cassan Fils'
Poster for 'Biscuits Champagne Lefèvre-Utile' (1896)

Colour lithograph
Go to Poster for 'Biscuits Champagne Lefèvre-Utile'
Poster for 'Salon des Cent 20th Exhibition' (1896)

Colour lithograph
Go to Poster for 'Salon des Cent 20th Exhibition'
Poster for 'Job' cigarette paper (1896)

Colour lithograph
Go to Poster for 'Job' cigarette paper
Berthe de Lalande, Mucha's mistress, in Mucha's studio, Rue du Val de Grâce, Paris (c.1896-1997)

Reproduced from original glass plate negative
Go to Berthe de Lalande, Mucha's mistress, in Mucha's studio, Rue du Val de Grâce, Paris
The Seasons (series) (1896)

Colour lithograph
Go to The Seasons (series)
The Seasons: Spring (1896)

Colour lithograph
Go to The Seasons: Spring
The Seasons: Summer (1896)

Colour lithograph
Go to The Seasons: Summer
The Seasons: Autumn (1896)

Colour lithograph
Go to The Seasons: Autumn
The Seasons: Winter (1896)

Colour lithograph
Go to The Seasons: Winter
The Seasons (variation in screen format) (1896)

Colour lithograph
Go to The Seasons (variation in screen format)
Zodiac (1896)

Colour lithograph
Go to Zodiac
Champagne Ruinart (1896)

Colour lithograph
Go to Champagne Ruinart
Lance Parfum Rodo (1896)

Colour lithograph
Go to Lance Parfum Rodo
Study for Savon Notre Dame (c. 1896)

pencil and watercolour on paper
Go to Study for Savon Notre Dame
Design for Champagne Ruinart (c. 1896)

Pencil, watercolour and gold leaf on paper
Go to Design for Champagne Ruinart
Design for a champagne poster (c. 1896)

Charcoal and pastel on paper
Go to Design for a champagne poster
L'Illustration magazine - cover for Christmas 1896/1897 (1896)

Magazine cover
Go to L'Illustration magazine - cover for Christmas 1896/1897
Sarah Bernhardt as La Princesse Lointaine: poster for 'La Plume' magazine (1897)

Colour lithograph
Go to Sarah Bernhardt as La Princesse Lointaine: poster for 'La Plume' magazine
Poster for 'Chocolat Idéal' (1897)

Colour lithograph
Go to Poster for 'Chocolat Idéal'
Poster for 'Bières de la Meuse' (1897)

Colour lithograph
Go to Poster for 'Bières de la Meuse'
Poster for 'Monaco - Monte Carlo', P.L.M. railway services (1897)

Colour lithograph
Go to Poster for 'Monaco - Monte Carlo', P.L.M. railway services
Poster for 'Nestlé's Food for Infants' (1897)

Colour lithograph
Go to Poster for 'Nestlé's Food for Infants'
Poster for 'Hommage Respectueux de Nestlé' (the Nestlé Company's tribute to Queen Victoria's 60th Jubilee) (1897)

Colour lithograph
Go to Poster for 'Hommage Respectueux de Nestlé' (the Nestlé Company's tribute to Queen Victoria's 60th Jubilee)
Mucha's studio decorated with his collection of objets d'art, Rue du Val de Grâce, Paris (c.1897)

Reproduced from original glass plate negative
Go to Mucha's studio decorated with his collection of objets d'art, Rue du Val de Grâce, Paris
Fruit (1897)

Colour lithograph
Go to Fruit
Flower (1897)

Colour lithograph
Go to Flower
Flower: final study for decorative panel (1897)

Pencil, ink and watercolour on paper
Go to Flower: final study for decorative panel
Poster for 'Salon des Cent Mucha Exhibition June 1897' (1897)

Colour lithograph
Go to Poster for 'Salon des Cent Mucha Exhibition June 1897'
Byzantine Heads (pair) (1897)

Colour lithograph
Go to Byzantine Heads (pair)
Byzantine Heads: Brunette (1897)

Colour lithograph
Go to Byzantine Heads: Brunette
Byzantine Heads: Blonde (1897)

Colour lithograph
Go to Byzantine Heads: Blonde
Société Populaire des Beaux Arts (1897)

Colour lithograph
Go to Société Populaire des Beaux Arts
F. Guillot Pelletier-Orleans Calendar (1897)

Colour lithograph
Go to F. Guillot Pelletier-Orleans Calendar
Ilsée, Princesse de Tripoli (1897)

Illustrated book
Go to Ilsée, Princesse de Tripoli
La Plume (1897)

Magazine cover
Go to La Plume
L'Illustré Soleil du Dimanche (1897)

Magazine cover
Go to L'Illustré Soleil du Dimanche
L'Annee Qui Vient (1897)

red chalk on paper
Go to L'Annee Qui Vient
Poster for 'La Trappistine' (1897)

colour lithograph
Go to Poster for 'La Trappistine'
Poster for 'La Samaritaine' (1897)

colour lithograph
Go to Poster for 'La Samaritaine'
Biscuits Lefevre Utile (1897)

Colour lithograph
Go to Biscuits Lefevre Utile
Salomé (1897)

Colour lithograph
Go to Salomé
West End Review (1897)

Colour lithograph
Go to West End Review
Poster for 'Médée' (1898)

Colour lithograph
Go to Poster for 'Médée'
Poster for 'Job' cigarette paper (1898)

Colour lithograph
Go to Poster for 'Job' cigarette paper
Poster for 'Waverley Cycles' (1898)

Colour lithograph
Go to Poster for 'Waverley Cycles'
Amilcare Cipriani (1843-1918), Italian revolutionary and socialist, in Mucha's studio, Rue du Val de Grâce, Paris. (c.1898)

Reproduced from original glass plate negative
Go to Amilcare Cipriani (1843-1918), Italian revolutionary and socialist, in Mucha's studio, Rue du Val de Grâce, Paris.
Rêverie (1898)

Colour lithograph
Go to Rêverie
The Arts: study for 'Painting' (1898)

Pencil and watercolour on paper
Go to The Arts: study for 'Painting'
The Arts: study for 'Poetry' (1898)

Pencil and watercolour on paper
Go to The Arts: study for 'Poetry'
The Arts: study for 'Music' (1898)

Pencil and watercolour on paper
Go to The Arts: study for 'Music'
The Arts: study for 'Dance' (1898)

Pencil and watercolour on paper
Go to The Arts: study for 'Dance'
The Arts (series) (1898)

Colour lithograph
Go to The Arts (series)
The Arts: Painting (1898)

Colour lithograph
Go to The Arts: Painting
The Arts: Poetry (1898)

Colour lithograph
Go to The Arts: Poetry
The Arts: Music (1898)

Colour lithograph
Go to The Arts: Music
The Arts: Dance (1898)

Colour lithograph
Go to The Arts: Dance
Nude on a Rock (1898-1899)

Bronze
Go to Nude on a Rock
The Flowers (series) (1898)

Colour lithographs
Go to The Flowers (series)
The Flowers: Rose (1898)

Colour lithograph
Go to The Flowers: Rose
The Flowers: Iris (1898)

Colour lithograph
Go to The Flowers: Iris
The Flowers: Carnation (1898)

Colour lithograph
Go to The Flowers: Carnation
The Flowers: Lily (1898)

Colour lithograph
Go to The Flowers: Lily
Bénédictine (1898)

Colour lithograph
Go to Bénédictine
Au Quartier Latin (1898)

Magazine cover
Go to Au Quartier Latin
Letem Českým Světem (1898)

Printed book
Go to Letem Českým Světem
Self-portrait (1899)

Oil on board
Go to Self-portrait
Poster for 'La Tosca' (1899)

Colour lithograph
Go to Poster for 'La Tosca'
Poster for 'Moët & Chandon: Dry Imperial' (1899)

Colour lithograph
Go to Poster for 'Moët & Chandon: Dry Imperial'
Poster for 'Moët & Chandon: Champagne White Star' (1899)

Colour lithograph
Go to Poster for 'Moët & Chandon: Champagne White Star'
Tin for Lefèvre-Utile biscuits (1899)

Circular tin with lid and handle; colour print on metal
Go to Tin for Lefèvre-Utile biscuits
Print proof for the Biscuits Lefèvre-Utile tin (1899)

Lithograph
Go to Print proof for the Biscuits Lefèvre-Utile tin
Model reclining on the couch in Mucha's studio, Rue du Val-de-Grâce, Paris. (1899)

Modern print from original glass plate negative
Go to Model reclining on the couch in Mucha's studio, Rue du Val-de-Grâce, Paris.
'The Passing Wind Takes Youth Away': design for a fan and the façade of the 'Pavilion of Man' (unrealised) (1899)

Colour lithograph
Go to 'The Passing Wind Takes Youth Away': design for a fan and the façade of the 'Pavilion of Man' (unrealised)
Design for a display stand at the Paris Exhibition 1900 (c.1899-1900)

Pencil and wash on paper
Go to Design for a display stand at the Paris Exhibition 1900
Woman masked in white head-scarf - study for the illustration of the Bosnia & Herzegovina Pavilion featured in 'Le Figaro Illustré' (1 March 1900) (1899)

Pencil and wash heightened with white on paper
Go to Woman masked in white head-scarf - study for the illustration of the Bosnia & Herzegovina Pavilion featured in 'Le Figaro Illustré' (1 March 1900)
Bosnian people in ceremonial costumes - from research trip to the Balkans (1899)

Original vintage print
Go to Bosnian people in ceremonial costumes - from research trip to the Balkans
Models posing for the Bosnia & Herzegovina Pavilion decoration (1899-1900)

Original vintage print
Go to Models posing for the Bosnia & Herzegovina Pavilion decoration
Model posing for the Bosnia & Herzegovina Pavilion decoration (1899-1900)

Reproduced from original glass plate negative
Go to Model posing for the Bosnia & Herzegovina Pavilion decoration
Bosnian Legends: Murcia - The Plague Lady (1899)

Charcoal on paper
Go to Bosnian Legends: Murcia - The Plague Lady
Bosnian Legends: Death of Hasanaga's Bride (1899)

Charcoal on paper
Go to Bosnian Legends: Death of Hasanaga's Bride
Dead Couple - Abandoned (c.1899-1900)

Charcoal and pastel on blue paper
Go to Dead Couple - Abandoned
Military Camp in Winter, near a City on Fire (c.1899-1900)

Pastel on paper
Go to Military Camp in Winter, near a City on Fire
Girl Weeping (c.1899-1900)

Black chalk and pastel on paper
Go to Girl Weeping
Snake Bracelet with a Ring (1899)

Gold, enamel, opal, ruby and diamond
Go to Snake Bracelet with a Ring
La Nature (1899-1900)

Bronze and amethyst
Go to La Nature
Bosnia-Herzegovina Pavilion: cartoon for the mural 'The Roman Period and the Arrival of the Slavs' (1899-1900)

ink and crayon on paper
Go to Bosnia-Herzegovina Pavilion: cartoon for the mural 'The Roman Period and the Arrival of the Slavs'
Bosnia-Herzegovina Pavilion: fragment of the upper frieze featuring Ivo and Anica, characters from Bosnian legends (1899-1900)

tempera and watercolour on canvas
Go to Bosnia-Herzegovina Pavilion: fragment of the upper frieze featuring Ivo and Anica, characters from Bosnian legends
Primrose (1899)

Colour lithograph
Go to Primrose
Feather (1899)

Colour lithograph
Go to Feather
The Times of the Day (series) (1899)

Colour lithograph
Go to The Times of the Day (series)
The Times of the Day: Morning Awakening (1899)

Colour lithograph
Go to The Times of the Day: Morning Awakening
The Times of the Day: Brightness of Day (1899)

Colour lithograph
Go to The Times of the Day: Brightness of Day
The Times of the Day: Evening Contemplation (1899)

Colour lithograph
Go to The Times of the Day: Evening Contemplation
The Times of the Day: Night’s Rest (1899)

Colour lithograph
Go to The Times of the Day: Night’s Rest
The Months (January-June) (1899)

Colour lithograph
Go to The Months (January-June)
The Months (July-December) (1899)

Colour lithograph
Go to The Months (July-December)
Flirt (1899)

Colour lithograph
Go to Flirt
Le Pater (1899)

Illustrated book
Go to Le Pater
Le Pater: early study for the 1st allegorical scene 'Our Father who art in Heaven' (1899)

Pencil on paper
Go to Le Pater: early study for the 1st allegorical scene 'Our Father who art in Heaven'
Le Pater: study for the 6th allegorical scene 'Forgive us our debts, as we forgive our debtors' (1899)

Charcoal and ink wash on paper
Go to Le Pater: study for the 6th allegorical scene 'Forgive us our debts, as we forgive our debtors'
Le Pater: early study for the 1st allegorical scene 'Our Father who art in Heaven' (1899)

Pastel on paper
Go to Le Pater: early study for the 1st allegorical scene 'Our Father who art in Heaven'
Poster for 'Hamlet' (1899)

colour lithograph
Go to Poster for 'Hamlet'
Sarah Bernhardt in the role of the Duc de Reichstadt in L’Aiglon (1900)

Pencil on paper
Go to Sarah Bernhardt in the role of the Duc de Reichstadt in L’Aiglon
Model posing in Mucha's studio, Rue du Val-de-Grâce, Paris (c.1900)

Reproduced from original glass plate negative
Go to Model posing in Mucha's studio, Rue du Val-de-Grâce, Paris
Model posing in Mucha's studio, Rue du Val-de-Grâce, Paris (c.1900)

Reproduced from original glass plate negative
Go to Model posing in Mucha's studio, Rue du Val-de-Grâce, Paris
Box for Lefèvre-Utile biscuits: Gaufrettes Vanille (c.1900)

Tin box covered with lithographed label
Go to Box for Lefèvre-Utile biscuits: Gaufrettes Vanille
Box for Lefèvre-Utile biscuits: Madère (c.1900)

Tin box covered with lithographed label
Go to Box for Lefèvre-Utile biscuits: Madère
Designs for cutlery (c.1900)

Charcoal and white on card
Go to Designs for cutlery
Designs for tableware (c.1900)

Charcoal, coloured pencil and white on card
Go to Designs for tableware
Ornamental motifs designed for 'Combinaisons Ornementales se Multipliant à l'Infini à l'Aide du Miroir' (1901) (c.1900-1901)

Blue and red pencil on paper
Go to Ornamental motifs designed for 'Combinaisons Ornementales se Multipliant à l'Infini à l'Aide du Miroir' (1901)
Winter View, Jardin du Luxembourg, Paris (c.1900)

Reproduced from original glass plate negative
Go to Winter View, Jardin du Luxembourg, Paris
Sketches of flowers for Documents décoratifs (c.1900-1901)

Pen and ink on paper
Go to Sketches of flowers for Documents décoratifs
Woman with a Daisy - textile designed by Mucha (1900)

Printed upholstery fabric
Go to Woman with a Daisy - textile designed by Mucha
Model posing in Mucha's studio, Rue du Val de Grâce, Paris (1899-1900)

Reproduced from original glass plate negative
Go to Model posing in Mucha's studio, Rue du Val de Grâce, Paris
Model posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1900)

Reproduced from original glass plate negative
Go to Model posing in Mucha's studio, Rue du Val de Grâce, Paris
Model in a Bohemian folk costume posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1900)

Reproduced from original glass plate negative
Go to Model in a Bohemian folk costume posing in Mucha's studio, Rue du Val de Grâce, Paris
Boutique Fouquet: sketches of the shop's signboard and decorative details (c.1900)

Pencil, ink and watercolour on paper
Go to Boutique Fouquet: sketches of the shop's signboard and decorative details
Interior of Boutique Fouquet: sketches of the fireplace with statue, mirror, display cabinet, and the ornamental details of the wall (c.1900)

Pencil, pen and ink on paper
Go to Interior of Boutique Fouquet: sketches of the fireplace with statue, mirror, display cabinet, and the ornamental details of the wall
Interior of Boutique Fouquet: design for a wall-mounted display cabinet with statuette and mirror (c.1900)

Pencil on paper
Go to Interior of Boutique Fouquet: design for a wall-mounted display cabinet with statuette and mirror
Interior of Boutique Fouquet: design for the fireplace with statuettes, mirror, and the ornamental details of the wall (c.1900)

Pencil and watercolour on cardboard
Go to Interior of Boutique Fouquet: design for the fireplace with statuettes, mirror, and the ornamental details of the wall
Interior and furniture designs (c.1900)

Pencil on paper
Go to Interior and furniture designs
Georges Fouquet (1858-1929), Paris, after design by Mucha: Ornamental Chain with pendants (1900)

Gold, enamel, fresh-water pearls, mother of pearl and semi-precious stones
Go to Georges Fouquet (1858-1929), Paris, after design by Mucha: Ornamental Chain with pendants
Georges Fouquet (1858-1929), Paris, after Mucha design: 'Peacock' Ring (Exhibited at the Paris Exhibition 1900) (1900)

Opal and gold
Go to Georges Fouquet (1858-1929), Paris, after Mucha design: 'Peacock' Ring (Exhibited at the Paris Exhibition 1900)
Head of a Girl, statue for the stand of the Houbigant Perfumery at the Paris Exhibition 1900 (1900)

Bronze, silver and parcel gilt
Go to Head of a Girl, statue for the stand of the Houbigant Perfumery at the Paris Exhibition 1900
Official Banquet of the Paris Exhibition 1900: design for the menu featuring a fashionable woman wearing a Mucha-style jewellery (1900)

Pencil, gouache and wash on grey paper
Go to Official Banquet of the Paris Exhibition 1900: design for the menu featuring a fashionable woman wearing a Mucha-style jewellery
Poster for the Austrian Pavilion at the Paris Exhibition 1900 (1900)

Colour lithograph
Go to Poster for the Austrian Pavilion at the Paris Exhibition 1900
Menu for the Bosnian Pavilion Restaurant at the Paris Exhibition 1900 (1900)

Colour lithograph
Go to Menu for the Bosnian Pavilion Restaurant at the Paris Exhibition 1900
Bosnian Pavilion Restaurant at the Paris Exhibition 1900: design for the menu (1900)

Pencil and watercolour on paper
Go to Bosnian Pavilion Restaurant at the Paris Exhibition 1900: design for the menu
Bosnia & Herzegovina Pavilion - illustration featured in 'Le Figaro Illustré' (1 March 1900) (1900)

Reproduction from Le Figaro Illustré after watercolour original
Go to Bosnia & Herzegovina Pavilion - illustration featured in 'Le Figaro Illustré' (1 March 1900)
Bosnia & Herzegovina Pavilion at the Paris Exhibition1900: 'Diorama of Sarajevo' and Mucha's painting 'Bosnia Offers Her Products to the World Exhibition 1900' (1900)

Non-Mucha archive photo
Go to Bosnia & Herzegovina Pavilion at the Paris Exhibition1900: 'Diorama of Sarajevo' and Mucha's painting 'Bosnia Offers Her Products to the World Exhibition 1900'
Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings (1900)

Non-Mucha archive photo
Go to Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings
Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings (1900)

Non-Mucha archive photo
Go to Bosnia & Herzegovina Pavilion at the Paris Exhibition 1900: interior view with Mucha's wall paintings
Broach with Pendant (1900)

Gold, ivory, mother-of-pearl and semi-precious stones
Go to Broach with Pendant
Mural for the Bosnia-Herzegovina Pavilion: The Roman Period and the Arrival of the Slavs (1900)

tempera and watercolour on canvas
Go to Mural for the Bosnia-Herzegovina Pavilion: The Roman Period and the Arrival of the Slavs
The Precious Stones (series) (1900)

Colour lithograph
Go to The Precious Stones (series)
The Precious Stones: Topaz (1900)

Colour lithograph
Go to The Precious Stones: Topaz
The Precious Stones: Ruby (1900)

Colour lithograph
Go to The Precious Stones: Ruby
The Precious Stones: Amethyst (1900)

Colour lithograph
Go to The Precious Stones: Amethyst
The Precious Stones: Emerald (1900)

Colour lithograph
Go to The Precious Stones: Emerald
The Seasons (series) (1900)

Colour lithograph
Go to The Seasons (series)
The Seasons: Spring (1900)

Colour lithograph
Go to The Seasons: Spring
The Seasons: Summer (1900)

Colour lithograph
Go to The Seasons: Summer
The Seasons: Autumn (1900)

Colour lithograph
Go to The Seasons: Autumn
The Seasons: Winter (1900)

Colour lithograph
Go to The Seasons: Winter
Cloches de Noel (1900)

Illustrated book
Go to Cloches de Noel
Le Monde Illustré (1900)

Magazine cover
Go to Le Monde Illustré
Cours Mucha: poster advertising Mucha's art classes held at the Académie Colarossi, Paris (1900)

colour lithograph
Go to Cours Mucha: poster advertising Mucha's art classes held at the Académie Colarossi, Paris
Self-portrait with posters for Sarah Bernhardt, in his studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
Go to Self-portrait with posters for Sarah Bernhardt, in his studio, Rue du Val de Grâce, Paris
Packaging for Lefèvre-Utile biscuits: Boudoir (1901)

Colour lithograph
Go to Packaging for Lefèvre-Utile biscuits: Boudoir
Documents décoratifs: final study for Plate 43 (1901-1902)

Pencil, ink and wash, heightened with white on paper
Go to Documents décoratifs: final study for Plate 43
Documents décoratifs: final study for Plate 72 (1901-1902)

Pencil and wash, heightened with white on paper
Go to Documents décoratifs: final study for Plate 72
Documents décoratifs: final study for Plate 63 (1901-1902)

Pencil and white on paper
Go to Documents décoratifs: final study for Plate 63
Documents décoratifs: final study for Plate 67 (1901-1902)

Pencil and white on paper
Go to Documents décoratifs: final study for Plate 67
Documents décoratifs: final study for Plate 71 (1901-1902)

Pencil and white on paper
Go to Documents décoratifs: final study for Plate 71
Documents décoratifs: final study for Plate 60 (1901-1902)

Pencil, ink and wash, heightened with white on paper
Go to Documents décoratifs: final study for Plate 60
Documents décoratifs: final study for Plate 25, featuring studies of lily (1901-1902)

Pencil on paper
Go to Documents décoratifs: final study for Plate 25, featuring studies of lily
Documents décoratifs: line drawing for Plate 33, featuring lily motifs (1901-1902)

Pencil, pen and ink on paper
Go to Documents décoratifs: line drawing for Plate 33, featuring lily motifs
Model posing in Mucha's studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
Go to Model posing in Mucha's studio, Rue du Val de Grâce, Paris
Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
Go to Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris
Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
Go to Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris
Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
Go to Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris
Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris (c.1901)

Reproduced from original glass plate negative
Go to Ballet study: dancing nude in the studio, Rue du Val de Grâce, Paris
Boutique Fouquet: installation of a space representing the interior designed by Mucha, Musée Carnavalet, Paris (1900)

Selection of digital images from Musée Carnavalet
Go to Boutique Fouquet: installation of a space representing the interior designed by Mucha, Musée Carnavalet, Paris
Documents décoratifs: final study for Plate 49 (1901-1902)

Pencil and white on paper
Go to Documents décoratifs: final study for Plate 49
Documents décoratifs: final study for Plate 50 (1901-1902)

Pencil and white on paper
Go to Documents décoratifs: final study for Plate 50
Documents décoratifs: designs for a watch and accessories (unused) (1901-1902)

Pencil, ink and white on paper
Go to Documents décoratifs: designs for a watch and accessories (unused)
Ivy (1901)

Colour lithograph
Go to Ivy
Laurel (1901)

Colour lithograph
Go to Laurel
Poster for 'Cycles Perfecta' (1902)

Colour lithograph
Go to Poster for 'Cycles Perfecta'
Documents décoratifs: Plate 54 (1902)

Lithograph
Go to Documents décoratifs: Plate 54
Model posing in Mucha's studio, Rue du Val de Grâce, Paris (1902-1903)

Reproduced from original glass plate negative
Go to Model posing in Mucha's studio, Rue du Val de Grâce, Paris
The Moon and the Stars: study for 'The Moon' (1902)

Ink and watercolour on paper
Go to The Moon and the Stars: study for 'The Moon'
The Moon and the Stars: study for 'The Morning Star' (1902)

Ink and watercolour on paper
Go to The Moon and the Stars: study for 'The Morning Star'
The Moon and the Stars: study for 'The Evening Star' (1902)

Ink and watercolour on paper
Go to The Moon and the Stars: study for 'The Evening Star'
The Moon and the Stars: study for 'The Pole Star' (1902)

Ink and watercolour on paper
Go to The Moon and the Stars: study for 'The Pole Star'
The Moon and the Stars (series) (1902)

Colour lithograph
Go to The Moon and the Stars (series)
Heather from Coastal Cliffs (1902)

Colour lithograph
Go to Heather from Coastal Cliffs
Thistle from the Sands (1902)

Colour lithograph
Go to Thistle from the Sands
Marie (Maruška) Chytilová, art student and Mucha's future wife in his studio, Rue du Val de Grâce, Paris (1903)

Reproduced from original glass plate negative
Go to Marie (Maruška) Chytilová, art student and Mucha's future wife in his studio, Rue du Val de Grâce, Paris
Zdeňka Černý (1903)

Colour lithograph
Go to Zdeňka Černý
Portrait of Marie Chytilová (Maruška), Mucha's Future Wife (1903)

pastel on paper
Go to Portrait of Marie Chytilová (Maruška), Mucha's Future Wife
Sarah Bernhardt - La Princesse Lointaine - Lefevre Utile (1903)

Colour lithograph
Go to Sarah Bernhardt - La Princesse Lointaine - Lefevre Utile
Figures décoratives: final study for Plate 3 (1904-1905)

Pencil and white on paper
Go to Figures décoratives: final study for Plate 3
Figures décoratives: final study for Plate 2 (1904-1905)

Pencil and white on paper
Go to Figures décoratives: final study for Plate 2
Figures décoratives: sketch study for Plate14 (1904-1905)

Blue pencil on paper
Go to Figures décoratives: sketch study for Plate14
Figures décoratives: final study for Plate14 (1904-1905)

Pencil with white on paper
Go to Figures décoratives: final study for Plate14
Self-portrait (double exposure) in Mucha's apartment, New York (c.1905)

Reproduced from original glass plate negative
Go to Self-portrait (double exposure) in Mucha's apartment, New York
Madonna of the Lilies (1905)

Tempera on canvas
Go to Madonna of the Lilies
Choirboys at Petrov Church, Brno (1905)

Watercolour on cardboard
Go to Choirboys at Petrov Church, Brno
Wiener Chic (1905)

Magazine cover
Go to Wiener Chic
Packaging for 'Savon Mucha Violette' (1906)

Colour lithograph
Go to Packaging for 'Savon Mucha Violette'
Mrs Mucha’s Necklace (1906)

gold, enamel and semi-precious stones
Go to Mrs Mucha’s Necklace
Self-portrait (1907)

Blue and white crayon on blue Ingres paper
Go to Self-portrait
The Burr McIntosh Monthly, 1907 (1907)

Magazine cover
Go to The Burr McIntosh Monthly, 1907
Portrait of Mucha's Wife, Maruška (1908/17)

Oil on canvas
Go to Portrait of Mucha's Wife, Maruška
Miss Reichl (Max Reinhardt's Company's leading actress) posing for 'Tragedy', a German Theatre mural, in Mucha's studio, New York (1908)

Reproduced from original glass plate negative
Go to Miss Reichl (Max Reinhardt's Company's leading actress) posing for 'Tragedy', a German Theatre mural, in Mucha's studio, New York
Comedy: study for a mural for the German Theatre, New York (1908)

Oil on canvas
Go to Comedy: study for a mural for the German Theatre, New York
Portrait of Josephine Crane Bradley as Slavia (1908)

Oil and tempera on canvas
Go to Portrait of Josephine Crane Bradley as Slavia
Leslie Carter (1908)

Colour lithograph
Go to Leslie Carter
Maude Adams (1908)

Lithograph, hand-coloured in watercolour and gouache
Go to Maude Adams
Tragedy - study for a mural for the German theatre New York (1908)

Oil and tempera on canvas
Go to Tragedy - study for a mural for the German theatre New York
Mucha with his two sisters and brother-in-law, Rosice, South Moravia (c.1909)

Reproduced from original glass plate negative
Go to Mucha with his two sisters and brother-in-law, Rosice, South Moravia
Model posing as Joan of Arc for the poster (unrealised) 'The Maid of Orleans' featuring Maude Adams, New York (1909)

Reproduced from original glass plate negative
Go to Model posing as Joan of Arc for the poster (unrealised) 'The Maid of Orleans' featuring Maude Adams, New York
Self-portrait, working on a mural for the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

Reproduced from original glass plate negative
Go to Self-portrait, working on a mural for the Lord Mayor's Hall, Obecní dům, Prague
Murals by Mucha in the Lord Mayor's Hall, Obecní Dům (Municipal House), Prague (1910-1911)

Go to Murals by Mucha in the Lord Mayor's Hall, Obecní Dům (Municipal House), Prague
The Slavonic Concord: study for the ceiling painting for the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Oil on canvas
Go to The Slavonic Concord: study for the ceiling painting for the Lord Mayor's Hall, Obecní Dům, Prague
'By force towards freedom, with love towards unity!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Pencil and charcoal on canvas
Go to 'By force towards freedom, with love towards unity!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague
'Through humiliated and tortured, you will live again, my country!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Pencil and charcoal on canvas
Go to 'Through humiliated and tortured, you will live again, my country!': study for the mural 'By Own Strength II' at the Lord Mayor's Hall, Obecní Dům, Prague
'Accept Love and Enthusiasm from Your Son, Mother of the Holy Nation': study for the mural 'By Own Strength III' at the Lord Mayor's Hall, Obecní Dům, Prague (1910-1911)

Pencil and charcoal on canvas
Go to 'Accept Love and Enthusiasm from Your Son, Mother of the Holy Nation': study for the mural 'By Own Strength III' at the Lord Mayor's Hall, Obecní Dům, Prague
Creative Force - Jan z Pernštýna: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Oil on canvas
Go to Creative Force - Jan z Pernštýna: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague
Independence - Jiří z Poděbrad: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Oil on canvas
Go to Independence - Jiří z Poděbrad: study for a pendentive of the Lord Mayor’s Hall, Obecní Dům, Prague
Justice - Master Jan Hus: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

Oil on canvas
Go to Justice - Master Jan Hus: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague
Militancy - Jan Žižka: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague (1910-1911)

Oil on canvas
Go to Militancy - Jan Žižka: study for a pendentive of the Lord Mayor's Hall, Obecní dům, Prague
Prague Subjugated: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Pen and ink and watercolour on paper
Go to Prague Subjugated: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague
Dreaming of Freedom: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague (1910-1911)

Pen and ink and watercolour on paper
Go to Dreaming of Freedom: study for a Panel of the Small Reception Room at the Lord Mayor’s Hall, Obecní Dům, Prague
Poster for 'Moravian Teachers' Choir' (1911)

Colour lithograph
Go to Poster for 'Moravian Teachers' Choir'
Study for 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland (1912) (c.1910-1912)

Oil on canvas
Go to Study for 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland (1912)
Models posing as struggling figures for 'The Slav Epic' cycle No.2: The Celebration of Svantovít (1911-1912)

Reproduced from original glass plate
Go to Models posing as struggling figures for 'The Slav Epic' cycle No.2: The Celebration of Svantovít
Models posing as struggling figures for 'The Introduction of the Slavonic Liturgy' (The Slav Epic cycle No.3, 1912) (1911-1912)

Reproduced from original glass plate plate
Go to Models posing as struggling figures for 'The Introduction of the Slavonic Liturgy' (The Slav Epic cycle No.3, 1912)
Princess Hyacinth (1911)

Colour lithograph
Go to Princess Hyacinth
Poster for 'Regional Exhibition at Ivančice 1913' (1912)

Colour lithograph
Go to Poster for 'Regional Exhibition at Ivančice 1913'
Study for 'The Slav Epic' cycle No.2: The Celebration of Svantovít (c.1910-1912)

Oil on canvas
Go to Study for 'The Slav Epic' cycle No.2: The Celebration of Svantovít
Poster for the 'Lottery of the Union of Southwestern Moravia' (1912)

Colour lithograph
Go to Poster for the 'Lottery of the Union of Southwestern Moravia'
'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland. Between the Turanian Whip and the Sword of the Goths (between the 3rd and 6th centuries AD). (1912)

Egg tempera on canvas
Go to 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland. Between the Turanian Whip and the Sword of the Goths (between the 3rd and 6th centuries AD).
6th Sokol Festival (1912)

Colour lithograph
Go to 6th Sokol Festival
The Threat (1912)

Colour lithograph
Go to The Threat
Study for 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia (1913-1914)

Watercolour and gouache on paper
Go to Study for 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia
St Basil's Cathedral and Red Square, Moscow (1913)

Reproduced from original glass plate plate
Go to St Basil's Cathedral and Red Square, Moscow
Peasant father and son with the Tsar Bell in the background, Moscow Kremlin (1913)

Reproduced from original glass plate plate
Go to Peasant father and son with the Tsar Bell in the background, Moscow Kremlin
Procession of the Beatification Ceremony, Red Square, Moscow (1913)

Reproduced from original glass plate plate
Go to Procession of the Beatification Ceremony, Red Square, Moscow
Mucha sketching in Red Square, Moscow (1913)

Reproduced from original glass plate plate
Go to Mucha sketching in Red Square, Moscow
Beggar and a bourgeois lady, Moscow (1913)

Reproduced from original glass plate plate
Go to Beggar and a bourgeois lady, Moscow
'The Slav Epic' cycle No.2: The Celebration of Svantovít. When Gods Are at War, Salvation Is in the Arts (between the 8th and 10th centuries AD). (1912)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.2: The Celebration of Svantovít. When Gods Are at War, Salvation Is in the Arts (between the 8th and 10th centuries AD).
Study for 'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski (c.1913-1914)

Photographed drawings stuck together, tinted with watercolour and gouache
Go to Study for 'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski
'The Slav Epic' cycle No.3: Introduction of the Slavonic Liturgy. Praise God in Your Mother Tongue (9th century AD). (1912)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.3: Introduction of the Slavonic Liturgy. Praise God in Your Mother Tongue (9th century AD).
'The Slav Epic' cycle No.4: Tsar Simeon of Bulgaria. The Dawn of Slav Literature (10th century AD). (1923)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.4: Tsar Simeon of Bulgaria. The Dawn of Slav Literature (10th century AD).
Study for 'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž (c.1915-1916)

Oil on canvas
Go to Study for 'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž
Study for 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412). (c.1915-1916)

Oil on canvas
Go to Study for 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412).
Mucha posing as Jan Hus for 'Master Jan Hus Preaching at the Bethlehem Chapel' (The Slav Epic cycle No.9, 1916) (c.1915-1916)

Reproduced from original glass plate plate
Go to Mucha posing as Jan Hus for 'Master Jan Hus Preaching at the Bethlehem Chapel' (The Slav Epic cycle No.9, 1916)
'The Slav Epic' cycle No.5: The Bohemian King Přemysl Otakar II. The Union of Slav Dynasties (13th century). (1924)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.5: The Bohemian King Přemysl Otakar II. The Union of Slav Dynasties (13th century).
'The Slav Epic' cycle No.6: Tsar Štěpán Dušan. The Slavic Code of Law (14th century). (1923)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.6: Tsar Štěpán Dušan. The Slavic Code of Law (14th century).
'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž. The Magic of the Word: A Brothel Converted into a Convent (14th century). (1916)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž. The Magic of the Word: A Brothel Converted into a Convent (14th century).
France Embraces Bohemia (1918)

oil on canvas
Go to France Embraces Bohemia
Song of Bohemia (1918)

oil on canvas
Go to Song of Bohemia
Mucha with the Slav Epic canvases exhibited in the the Klementinum, Prague (1919)

Reproduced from original glass plate plate
Go to Mucha with the Slav Epic canvases exhibited in the the Klementinum, Prague
'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412). (1916)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412).
Design for the poster for the Mucha Exhibition at the Brooklyn Museum, New York, January-February 1921 (1920)

Pen and ink and watercolour on paper
Go to Design for the poster for the Mucha Exhibition at the Brooklyn Museum, New York, January-February 1921
'The Slav Epic' cycle No.10: The Meeting at Křížky. The Magic of Words: Sub utraque (1419) (1916)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.10: The Meeting at Křížky. The Magic of Words: Sub utraque (1419)
'The Slav Epic' cycle No.8: After the Battle of Grunewald. The Solidarity of the Northern Slavs (1410). (1924)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.8: After the Battle of Grunewald. The Solidarity of the Northern Slavs (1410).
Self-portrait with the mirrored image of his wife Maruška (photomontage), Zbiroh Castle, West Bohemia (Early 1920s)

Reproduced from original glass plate negative
Go to Self-portrait with the mirrored image of his wife Maruška (photomontage), Zbiroh Castle, West Bohemia
Portrait of Woman (c. mid 1910s - 1925)

Blue pastel on grey paper
Go to Portrait of Woman
Study for the poster 'Russia Restituenda [Russia Must Recover]' (1922)

Pen and ink and watercolour on paper
Go to Study for the poster 'Russia Restituenda [Russia Must Recover]'
Mother and Child, Prague: study for the poster 'Russia Restituenda' (1922) (c.1921-1922)

Vintage print
Go to Mother and Child, Prague: study for the poster 'Russia Restituenda' (1922)
Maruška posing as Russian peasant woman for 'Woman in the Wilderness' (1923) (c.1922-1923)

Reproduced from original glass plate plate
Go to Maruška posing as Russian peasant woman for 'Woman in the Wilderness' (1923)
Russia Restituenda [Russia Must Recover] (1922)

Colour lithograph
Go to Russia Restituenda [Russia Must Recover]
Study for 'Woman in the Wilderness' (c. 1922-1923)

oil on canvas
Go to Study for 'Woman in the Wilderness'
Study for 'Woman in the Wilderness' (c. 1922-1923)

oil on canvas
Go to Study for 'Woman in the Wilderness'
'The Slav Epic' cycle No.11: After the Battle of Vítkov. God is Found in Truth, Not Force (1420) (1923)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.11: After the Battle of Vítkov. God is Found in Truth, Not Force (1420)
'The Slav Epic' cycle No.12: Petr Chelčický at Vodňany. Do Not Repay Evil with Evil (1433). (1918)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.12: Petr Chelčický at Vodňany. Do Not Repay Evil with Evil (1433).
Woman in the Wilderness (1923)

Oil on canvas
Go to Woman in the Wilderness
Ruined Orthodox Church, probably Ružica Church, Belgrade, Serbia (1924)

Reproduced from original glass plate plate
Go to Ruined Orthodox Church, probably Ružica Church, Belgrade, Serbia
Dome of the Chilandar Monastery, Mount Athos (1924)

Reproduced from original glass plate plate
Go to Dome of the Chilandar Monastery, Mount Athos
Chilandar Monastery, Mount Athos (1924)

Reproduced from original glass plate plate
Go to Chilandar Monastery, Mount Athos
Stone breakers, Bulgaria (1924)

Reproduced from original glass plate plate
Go to Stone breakers, Bulgaria
Romany mother and child, Bulgaria (1924)

Reproduced from original glass plate plate
Go to Romany mother and child, Bulgaria
Mucha working on the canvas 'Tsar Štěpán Dušan. The Slavic Code of Law (14th century).' (The Slav Epic cycle No.6, 1923) (1923)

Vintage print
Go to Mucha working on the canvas 'Tsar Štěpán Dušan. The Slavic Code of Law (14th century).' (The Slav Epic cycle No.6, 1923)
'The Slav Epic' cycle No.13: The Hussite King Jiří of Podĕbrady. Treaties Are To be Respected (1462). (1923)

Egg tempera on canvas
Go to 'The Slav Epic' cycle No.13: The Hussite King Jiří of Podĕbrady. Treaties Are To be Respected (1462).
'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski. The Shield of Christendom (1566). (1914)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski. The Shield of Christendom (1566).
Portrait of Mucha's Son, Jiří (1925)

Oil on canvas
Go to Portrait of Mucha's Son, Jiří
Poster for the '8th Sokol Festival Prague 1926' (1925)

Colour lithograph
Go to Poster for the '8th Sokol Festival Prague 1926'
Study for 'The Slav Epic' cycle No.17: The Holy Mount Athos (1926) (c.1925-26)

Charcoal heightened with white on cardboard
Go to Study for 'The Slav Epic' cycle No.17: The Holy Mount Athos (1926)
Mucha and his assistant Knap posing for 'The Holy Mount Athos' (The Slav Epic cycle No.17, 1926) (c.1925-1926)

Reproduced from original glass plate plate
Go to Mucha and his assistant Knap posing for 'The Holy Mount Athos' (The Slav Epic cycle No.17, 1926)
Children posing as the Czech youths vowing Slavic ideals for 'Oath of the "Youth" under the Slav Linden Tree' (The Slav Epic cycle No.18, 1926) (1925-1926)

Reproduced from original glass plate plate
Go to Children posing as the Czech youths vowing Slavic ideals for 'Oath of the "Youth" under the Slav Linden Tree' (The Slav Epic cycle No.18, 1926)
'The Slav Epic' cycle No.15: The Brethren School in Ivančice, the Printing of the Czech Bible. God Gave Us the Gift of Language (1578). (1914)

egg tempera on canvas
Go to 'The Slav Epic' cycle No.15: The Brethren School in Ivančice, the Printing of the Czech Bible. God Gave Us the Gift of Language (1578).
Study for 'The Slav Epic' cycle No.18: The Oath of Omladina under the Slavic Linden Tree (c.1925-1926)

Pencil and watercolour on paper
Go to Study for 'The Slav Epic' cycle No.18: The Oath of Omladina under the Slavic Linden Tree
Mucha directing a group of models posing for 'Apotheosis: Slavs for Humanity' (The Slav Epic cycle No.20, 1926) (1926)

Reproduced from original glass plate plate
Go to Mucha directing a group of models posing for 'Apotheosis: Slavs for Humanity' (The Slav Epic cycle No.20, 1926)
'The Slav Epic' cycle No.16: Jan Amos Komenský. A Glimmer of Hope (1670). (1918)

Egg tempera on canvas
Go to 'The Slav Epic' cycle No.16: Jan Amos Komenský. A Glimmer of Hope (1670).
Portrait of Mucha's Daughter, Jaroslava (c.1927-1935)

Oil on canvas
Go to Portrait of Mucha's Daughter, Jaroslava
'The Slav Epic' cycle No.17: Holy Mount Athos. Vatican of Orthodox Christianity, Sheltering the Oldest Slav Literary Monuments (18th century) (1926)

Egg tempera on canvas
Go to 'The Slav Epic' cycle No.17: Holy Mount Athos. Vatican of Orthodox Christianity, Sheltering the Oldest Slav Literary Monuments (18th century)
1918-1928: Poster for the 10th Anniversary of the Independence of the Republic of Czechoslovakia (1928)

Colour lithograph
Go to 1918-1928: Poster for the 10th Anniversary of the Independence of the Republic of Czechoslovakia
Poster for 'The Slav Epic Exhibition, Brno, 1930' (1928-1930)

Colour lithograph
Go to Poster for 'The Slav Epic Exhibition, Brno, 1930'
'The Slav Epic' cycle No.18: Oath of the "Youth" under the Slav Linden Tree. The Slav Revival (19th century). (1926, unfinished)

Egg tempera on canvas
Go to 'The Slav Epic' cycle No.18: Oath of the "Youth" under the Slav Linden Tree. The Slav Revival (19th century).
'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia. To Work in Freedom Is the Foundation of a State (1861) (1914)

Egg tempera on canvas
Go to 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia. To Work in Freedom Is the Foundation of a State (1861)
Banknotes of Czechoslovakia, designed by Mucha: 500 crown; 50 Crown; 10 Crown (1929)

Banknotes
Go to Banknotes of Czechoslovakia, designed by Mucha: 500 crown; 50 Crown; 10 Crown
Self-portrait in a formal masonic regalia as Supreme Commander of Scottish Rite Freemasonry in Czechoslovakia, Prague (1930)

Reproduced from original glass plate negative
Go to Self-portrait in a formal masonic regalia as Supreme Commander of Scottish Rite Freemasonry in Czechoslovakia, Prague
'The Slav Epic' cycle No.20: Apotheosis: Slavs for Humanity. Four Stages of Slav History in Four Colours (1918). (1926)

Egg tempera on canvas
Go to 'The Slav Epic' cycle No.20: Apotheosis: Slavs for Humanity. Four Stages of Slav History in Four Colours (1918).
St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring SS Cyril and Methodius (1931)

Ink and watercolour on paper
Go to St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring SS Cyril and Methodius
St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Ludmila (1931)

Ink and watercolour on paper
Go to St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Ludmila
St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Wenceslas (Duke of Bohemia) kneeling next to his Grandmother, St. Ludmila (1931)

Ink and watercolour on paper
Go to St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Wenceslas (Duke of Bohemia) kneeling next to his Grandmother, St. Ludmila
St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom left panels (1931)

Ink and watercolour on paper
Go to St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom left panels
St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom right panels (1931)

Ink and watercolour on paper
Go to St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom right panels
Stained-glass Window designed by Mucha at St. Vitus Cathedral, Prague (Early 1930s)

N/A
Go to Stained-glass Window designed by Mucha at St. Vitus Cathedral, Prague
The Light of Hope (1933)

Oil on canvas
Go to The Light of Hope
Nativity (c. 1934)

oil on canvas
Go to Nativity
Self-portrait, Prague (1930s)

Reproduced from original glass plate negative
Go to Self-portrait, Prague
Study for 'The Three Ages' triptych: Reason, Wisdom and Love [unfinished project] (1936-1938)

Pencil and watercolour on paper
Go to Study for 'The Three Ages' triptych: Reason, Wisdom and Love [unfinished project]
Study for 'The Age of Reason' (1936-1938)

Pencil and watercolour on paper
Go to Study for 'The Age of Reason'
The Oath of Concord of the Slavs (unfinished) (1939)

oil on canvas
Go to The Oath of Concord of the Slavs (unfinished)

Related objects

Model pózující v Muchově ateliéru, Rue du Val-de-Grâce, Paříž (1899–1900)

reprodukce z původního negativu na skleněné desce
Go to Model pózující v Muchově ateliéru, Rue du Val-de-Grâce, Paříž