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  • Mucha sits in overalls on a stool in front of his canvas holding a paintbrush in his right hand and a palette in his left hand; he looks out at the camera

    Mucha working on the canvas 'Tsar Štěpán Dušan. The Slavic Code of Law (14th century).' (The Slav Epic cycle No.6, 1923) (1923)

  • 'The Slav Epic' cycle No.13: The Hussite King Jiří of Podĕbrady. Treaties Are To be Respected (1462). (1923)

  • 'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski. The Shield of Christendom (1566). (1914)

  • Young boy in a white shirt and shorts sitting cross-legged with a paintbrush in his right hand in front of a blank canvas

    Portrait of Mucha's Son, Jiří (1925)

  • A man stands with his right hand on his hip in front of a bare-chested man with his arms stretched out and red and white ribbons trailing from each arm; behind them hovers a woman in a white dress and below is a representation of buildings

    Poster for the '8th Sokol Festival Prague 1926' (1925)

  • Interior of a church with figures crouching down on the floor, figures hovering around the sides, and ghostly female figures of different sizes behind

    Study for 'The Slav Epic' cycle No.17: The Holy Mount Athos (1926) (c.1925-26)

  • Dressed in a suit and a cape, Mucha holds out a dish for an elderly man with a long coat and a rucksack who bends over and touches the dish with his face

    Mucha and his assistant Knap posing for 'The Holy Mount Athos' (The Slav Epic cycle No.17, 1926) (c.1925-1926)

  • 6 boys kneel in a circle with their chests, heads and arms raised and their fists touching

    Children posing as the Czech youths vowing Slavic ideals for 'Oath of the "Youth" under the Slav Linden Tree' (The Slav Epic cycle No.18, 1926) (1925-1926)

  • 'The Slav Epic' cycle No.15: The Brethren School in Ivančice, the Printing of the Czech Bible. God Gave Us the Gift of Language (1578). (1914)

  • Three figures slouching to the left and right of a wall with figures looking up to the skies behind

    Study for 'The Slav Epic' cycle No.18: The Oath of Omladina under the Slavic Linden Tree (c.1925-1926)

  • Mucha looks on as 4 women in traditional costume crouch down on the floor in a huddle and a 5th woman with a white headdress holds her arms up to the sky

    Mucha directing a group of models posing for 'Apotheosis: Slavs for Humanity' (The Slav Epic cycle No.20, 1926) (1926)

  • 'The Slav Epic' cycle No.16: Jan Amos Komenský. A Glimmer of Hope (1670). (1918)

  • Girl in a white headdress resting her head in her hands

    Portrait of Mucha's Daughter, Jaroslava (c.1927-1935)

  • 'The Slav Epic' cycle No.17: Holy Mount Athos. Vatican of Orthodox Christianity, Sheltering the Oldest Slav Literary Monuments (18th century) (1926)

  • A man stands behind a girl in folk costume and holds a garland of flowers above her head; the dates'1918-1928' sit at the bottom of the poster

    1918-1928: Poster for the 10th Anniversary of the Independence of the Republic of Czechoslovakia (1928)

  • A girl with a flower headdress and a white dress sits playing a harp in front of a mythical figure holding a horn

    Poster for 'The Slav Epic Exhibition, Brno, 1930' (1928-1930)

  • 'The Slav Epic' cycle No.18: Oath of the "Youth" under the Slav Linden Tree. The Slav Revival (19th century). (1926, unfinished)

  • 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia. To Work in Freedom Is the Foundation of a State (1861) (1914)

  • Three banknotes of 10, 50 and 500 crowns

    Banknotes of Czechoslovakia, designed by Mucha: 500 crown; 50 Crown; 10 Crown (1929)

  • Mucha dressed in formal wear with a cap, a sash, a medallion and a medal, stood in front of a panel decorated with stars and arabesques

    Self-portrait in a formal masonic regalia as Supreme Commander of Scottish Rite Freemasonry in Czechoslovakia, Prague (1930)

  • 'The Slav Epic' cycle No.20: Apotheosis: Slavs for Humanity. Four Stages of Slav History in Four Colours (1918). (1926)

  • On the left panel a man in a black cape holds a bible in his left arm and his right arm up to give a blessing and in the right panel a man in priestly vestments with a mitre and a crozier pours water over the head of a man kneeling between the two panels

    St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring SS Cyril and Methodius (1931)

  • On the left panel a woman in a headdress and priestly vestments with a halo and closed eyes raises her head and holds her arms out; in the right panel a man with his back to the viewer wears a sheep skin over his left shoulder

    St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Ludmila (1931)

  • On the left panel the lower body of a woman in priestly vestments; in the right panel a small boy with a halo and regal gowns kneels with his hands in prayer as he leans on the woman's lap and looks upwards

    St. Vitus Cathedral Stained-glass Window, Prague: final design for the central panels, featuring St. Wenceslas (Duke of Bohemia) kneeling next to his Grandmother, St. Ludmila (1931)

  • On the left panel an elderly man lies in bed holding a cross medallion with candles burning in front an a crucifix behind; in the right panel an elderly man in dark robes with white hair and a beard holds the hand of the old man

    St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom left panels (1931)

  • On the left panel one man bends his head over and another recoils in distress with his hand to his face with an old man and woman looking on; on the right panel an old man with a white beard, a mitre and a medallion with a cross reclines on an ornate chair with his head back and his eyes closed with an elderly couple looking on in the background

    St.Vitus Cathedral Stained-glass Window, Prague: final design for the bottom right panels (1931)

  • A central panel surrounded by 36 panels seen from the interior of the cathedral

    Stained-glass Window designed by Mucha at St. Vitus Cathedral, Prague (Early 1930s)

  • In a dark scene a woman in a white dress and headdress leans over to protect a candle in her hands; an old man in the foreground clasps the hand of a third figure with his right hand

    The Light of Hope (1933)

  • Reclining woman in white with a faint halo with a baby swaddled in white cloth resting on her knees

    Nativity (c. 1934)

  • Mucha dressed in a traditional Czech shirt with head and shoulders seen in profile against a dark background

    Self-portrait, Prague (1930s)

  • Study composed of three horizontal panels with arched panel in the centre

    Study for 'The Three Ages' triptych: Reason, Wisdom and Love [unfinished project] (1936-1938)

  • the top half of the composition is dominated by machinery and buildings and the bottom half is inhabited by a crowd of figures

    Study for 'The Age of Reason' (1936-1938)

  • A young boy holding a garland of blue flowers stands in the centre of the composition flanked by children in classical costume playing instruments and three bearded men behind warming their hands above a fire; the composition is dominated by blue

    The Oath of Concord of the Slavs (unfinished) (1939)

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