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  • A girl with long fair hair in plaits and traditional costume sits in a tree and holds her right hand to her ear and her left hand to her lips; a bird behind her raises its beak

    Poster for 'Moravian Teachers' Choir' (1911)

  • Set against a dark blue night sky a couple in traditional costume crouch down in hiding while three ghostly shapes loom above them in the right of the painting

    Study for 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland (1912) (c.1910-1912)

  • Three men in traditional costume standing in a triangle in front of a large window with their arms raised as though brandishing weapons

    Models posing as struggling figures for 'The Slav Epic' cycle No.2: The Celebration of Svantovít (1911-1912)

  • A man in traditional costume holds down another man on a table as a third holds a stake to the man's bare chest

    Models posing as struggling figures for 'The Introduction of the Slavonic Liturgy' (The Slav Epic cycle No.3, 1912) (1911-1912)

  • The actress wears a white gown and a decorative crown and is seated on green fabric with her head supported by her right arm; she is set against a sky of stars and is encircled with images of blacksmith's tools, a gold crown, hearts, vessels and monsters.

    Princess Hyacinth (1911)

  • Two girls in traditional folk costume holding flower wreaths stand in front of a Bohemian church tower

    Poster for 'Regional Exhibition at Ivančice 1913' (1912)

  • Around a dozen figures in robes loom in the sky above crowds of people dressed in white

    Study for 'The Slav Epic' cycle No.2: The Celebration of Svantovít (c.1910-1912)

  • A young fair-haired girl holding notebooks and pens in front of a woman in traditional costume sitting on a branch and slouched with her head in her hands

    Poster for the 'Lottery of the Union of Southwestern Moravia' (1912)

  • 'The Slav Epic' cycle No.1: The Slavs in Their Original Homeland. Between the Turanian Whip and the Sword of the Goths (between the 3rd and 6th centuries AD). (1912)

  • A young girl in a red cloak wearing a crown holds a staff in her left hand and 7 garlands in her right hand; behind her a green otherworldly figure holds a falcon

    6th Sokol Festival (1912)

  • The Threat (1912)

  • Crowds standing in small groups in front of St Basil's Cathedral

    Study for 'The Slav Epic cycle' No.19: The Abolition of Serfdom in Russia (1913-1914)

  • The ornate domes of St Basil's in the background with two horse and carts and several pedestrians in the foreground

    St Basil's Cathedral and Red Square, Moscow (1913)

  • A bearded man with a sack and a long stick leans over next to a young boy while a queue of people form next to a large bell behind

    Peasant father and son with the Tsar Bell in the background, Moscow Kremlin (1913)

  • Taken about a foot from ground level, a procession of men in black holding religious effigies march against an ominous grey sky

    Procession of the Beatification Ceremony, Red Square, Moscow (1913)

  • Mucha standing in the middle of the square sketching with boys looking on and St. Basil's cathedral behind

    Mucha sketching in Red Square, Moscow (1913)

  • Woman seen from behind wearing a hat, a long coat and a handbag stood next to a beggar with his left hand to his cap and a frown on his face

    Beggar and a bourgeois lady, Moscow (1913)

  • 'The Slav Epic' cycle No.2: The Celebration of Svantovít. When Gods Are at War, Salvation Is in the Arts (between the 8th and 10th centuries AD). (1912)

  • Figures and fortifications with ruined buildings behind

    Study for 'The Slav Epic' cycle No.14: The Sacrifice at Szigetvár by Nikola Zrinski (c.1913-1914)

  • 'The Slav Epic' cycle No.3: Introduction of the Slavonic Liturgy. Praise God in Your Mother Tongue (9th century AD). (1912)

  • 'The Slav Epic' cycle No.4: Tsar Simeon of Bulgaria. The Dawn of Slav Literature (10th century AD). (1923)

  • Street scene with figures in the snow and men climbing on a brick archway and scafolding structure

    Study for 'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž (c.1915-1916)

  • Interior of a church with figures gathered around a preacher in a pulpit

    Study for 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412). (c.1915-1916)

  • Dressed as a priest, Mucha stands on a table and leans forward over the back of a chair placed on the table

    Mucha posing as Jan Hus for 'Master Jan Hus Preaching at the Bethlehem Chapel' (The Slav Epic cycle No.9, 1916) (c.1915-1916)

  • 'The Slav Epic' cycle No.5: The Bohemian King Přemysl Otakar II. The Union of Slav Dynasties (13th century). (1924)

  • 'The Slav Epic' cycle No.6: Tsar Štěpán Dušan. The Slavic Code of Law (14th century). (1923)

  • 'The Slav Epic' cycle No.7: Jan Milíč of Kroměříž. The Magic of the Word: A Brothel Converted into a Convent (14th century). (1916)

  • A naked woman with a white headdress draped over her left breast stands at the centre of the composition against a cross and a dark and firey landscape; a man wearing a red cap and holding a rope leans over from behind the cross and kisses the woman's cheek

    France Embraces Bohemia (1918)

  • Woman in white taditional costume seated at centre of composition with head tilted back; four flower wreaths are laid in front of her on the train of her dress; there are two reclining women to her right with yellow fields beyond

    Song of Bohemia (1918)

  • 4 canvases are exhibited in a large hall with an ornate cieling and a wooden floor; a man sits on a stool in front of one of the canvases

    Mucha with the Slav Epic canvases exhibited in the the Klementinum, Prague (1919)

  • 'The Slav Epic' cycle No.9: Master Jan Hus Preaching at the Bethlehem Chapel. The Magic of the Word: Truth Prevails (1412). (1916)

  • In a mushroom shaped form, a woman with flowing hair wearing a headdress, a flower wreath and beads holds up a crown of thorns and sits above the text (exhibition details)

    Design for the poster for the Mucha Exhibition at the Brooklyn Museum, New York, January-February 1921 (1920)

  • 'The Slav Epic' cycle No.10: The Meeting at Křížky. The Magic of Words: Sub utraque (1419) (1916)

  • 'The Slav Epic' cycle No.8: After the Battle of Grunewald. The Solidarity of the Northern Slavs (1410). (1924)

  • Photomontage of Mucha stood to the right of a mirror with his wife Maruška's reflection

    Self-portrait with the mirrored image of his wife Maruška (photomontage), Zbiroh Castle, West Bohemia (Early 1920s)

  • Seated female nude with a white cloth around her waist leaning on her knees with her head in her hands

    Portrait of Woman (c. mid 1910s - 1925)

  • Study for the poster 'Russia Restituenda [Russia Must Recover]' (1922)

  • Woman with dark hair and a melancholic expression holds a baby wrapped in a white cloth up to her shoulder

    Mother and Child, Prague: study for the poster 'Russia Restituenda' (1922) (c.1921-1922)

  • A seated woman with a paterned scarf around her head and shoulders, her legs stretched out in front of her and her arms laid open on the floor sits with her mouth open and her head turned up towards the ceiling

    Maruška posing as Russian peasant woman for 'Woman in the Wilderness' (1923) (c.1922-1923)

  • A woman in black with a melancholy expression holds a limp child dressed in white; both have circular forms behind their heads

    Russia Restituenda [Russia Must Recover] (1922)

  • A peasant woman in a dark headdress sits with her head to the sky in a gesture of resignation; the dark colours of her barren, moonlit surroundings merge into the night sky; 3 wolves look on from the horizon

    Study for 'Woman in the Wilderness' (c. 1922-1923)

  • A peasant woman in a dark headdress sits with her head to the sky in a gesture of resignation; the dark colours of her barren, moonlit surroundings merge into the night sky; 3 wolves look on from the horizon

    Study for 'Woman in the Wilderness' (c. 1922-1923)

  • 'The Slav Epic' cycle No.11: After the Battle of Vítkov. God is Found in Truth, Not Force (1420) (1923)

  • 'The Slav Epic' cycle No.12: Petr Chelčický at Vodňany. Do Not Repay Evil with Evil (1433). (1918)

  • A peasant woman in a dark headdress sits with her head to the sky in a gesture of resignation; the dark colours of her barren, moonlit surroundings merge into the night's sky; 3 wolves look on from the horizon

    Woman in the Wilderness (1923)

  • A ruined church tower stands against a grey sky with its wooden steeple toppling over to the left

    Ruined Orthodox Church, probably Ružica Church, Belgrade, Serbia (1924)

  • Baroque dome of the main church seen from the outside

    Dome of the Chilandar Monastery, Mount Athos (1924)

  • The domes and towers of the monastery seen from a height with a large fir tree to the right

    Chilandar Monastery, Mount Athos (1924)

  • Three women and two men in traditional costume bent over a pile of rubble with pick-axes

    Stone breakers, Bulgaria (1924)

  • A dark-haired women with a white polka dot headdress holding a small child with a headdress

    Romany mother and child, Bulgaria (1924)

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